"Tiger at the Gates" is a play that presents a pacifist perspective on the Trojan War, focusing on the character of Hector, a Trojan military leader who foresees the destruction that war with Greece will bring. Despite his efforts to avoid conflict through diplomacy and reason, he is met with ridicule and pressure from his fellow Trojans, who are eager for battle and glory. The narrative explores themes of fate, individual versus collective responsibility, and the tragic consequences of war, as Hector's attempts to maintain peace ultimately fail, leading to the inevitable fall of Troy.

The play is a tragic drama set in the aftermath of the Trojan War, focusing on the fate of Andromache, the widow of the Trojan hero Hector, who is now a captive of Pyrrhus, the son of Achilles. Pyrrhus is torn between his obsessive love for Andromache, who remains faithful to the memory of her slain husband, and his betrothal to Hermione, the daughter of the Spartan king Menelaus. The play explores themes of love, duty, and vengeance as Andromache struggles to protect her son, the last heir of the Trojan line, amidst the dangerous political machinations of the Greek victors, leading to a series of tragic events fueled by jealousy, pride, and the inescapable grip of fate.

"Lazarus Laughed" is a play that explores the transformation of Lazarus after being raised from the dead by Jesus Christ. Rather than focusing on the miracle itself, the narrative delves into the profound psychological and spiritual change within Lazarus, who emerges from the tomb with an unshakable peace and a contagious laughter, signifying his transcendence over the fear of death. As he shares his newfound enlightenment with those around him, he faces both admiration and opposition, challenging the societal norms and religious dogmas of his time. The play is a philosophical meditation on the meaning of life and death, the power of joy, and the potential for human beings to live free from the paralyzing grip of fear.