The novel is a unique and satirical work, narrated by a dead man, Bras Cubas, who recounts his life from beyond the grave. The story is filled with ironic humor and philosophical musings as Bras Cubas explores his past, his relationships, and the societal norms of his time. The narrative breaks conventional storytelling norms, often addressing the reader directly and jumping through time without warning. Themes of love, wealth, power, and the human condition are explored, providing a critique of 19th-century Brazilian society.

The novel centers on Ursa Corregidora, a young African American blues singer in the 20th century, who grapples with the legacy of trauma passed down from her enslaved ancestors. Haunted by the stories of brutality and sexual exploitation told by her great-grandmother and grandmother, both of whom were victims of a Portuguese slaveholder named Corregidora, Ursa navigates her personal relationships and her identity as a black woman. The narrative delves into themes of memory, history, and the enduring impact of slavery on the present, as Ursa seeks to reconcile her heritage with her own experiences of love, sexuality, and artistic expression.

This book offers a detailed and vivid account of the War of Canudos, a significant peasant revolt that took place in the late 19th century in the Brazilian backlands. Through a blend of historical documentation and narrative, the text explores the socio-political conditions that led to the uprising, the charismatic leadership of Antônio Conselheiro, and the brutal suppression of the rebellion by the Brazilian government. The author delves into the geography, culture, and lives of the backland inhabitants, providing a deep analysis of the conflict as a reflection of the broader struggles within Brazilian society. This work is not only a historical account but also a profound commentary on the themes of civilization versus barbarism, social injustice, and the complexities of national identity.

Set in the 1920s in the Brazilian town of Ilhéus, the novel tells the story of a beautiful and charismatic migrant worker, Gabriela, who becomes a cook in the home of a wealthy bar owner. As the town, historically dominated by a few wealthy cacao planters, undergoes economic and social changes, Gabriela and her employer fall in love. Their relationship, however, is challenged by their different social statuses, the town's traditional values, and the employer's political ambitions. The story is a vivid portrayal of Brazilian culture, exploring themes of race, gender, class, and tradition versus progress.

"Tent of Miracles" is a satirical novel that explores the themes of racism, colonialism, and the power of knowledge. The story revolves around the life of a poor, mixed-race Bahian scholar who is unrecognized in his own land but becomes a posthumous celebrity when a Nobel laureate praises his work. This sudden fame brings attention to his writings and his message against racial discrimination, and the book also portrays the vibrant culture and diversity of Bahia, Brazil.

This novel is a deep exploration of clashes between cultures, religions and personal desires, set in the South American jungle. The story focuses on two North American adventurers who are hired to bomb a remote missionary outpost, a zealous evangelical minister trying to convert a tribe of Amazonian Indians, and the Indians themselves, who are struggling to maintain their way of life. The narrative delves into the moral and spiritual dilemmas faced by each character, and the tragic consequences of misunderstanding and intolerance.