The novel is a stark portrayal of small-town life in Scotland at the turn of the 20th century, focusing on the Gourlay family, who are brought to ruin by the tyrannical and arrogant John Gourlay. Despite his initial success as a merchant, Gourlay's hubris and inability to adapt to changing times lead to his downfall, exacerbated by the malicious gossip and envy of his neighbors. The story is a grim depiction of the destructive power of pride and the often cruel nature of community life, where the failings of one family become a spectacle for public scorn and schadenfreude. The green shutters of the Gourlay's house come to symbolize the envy and the facade of respectability that hide the family's internal decay and disintegration.

The book is a seminal work in Yiddish literature and folklore, centering around the concept of a dybbuk—a malicious possessing spirit from Jewish mythology. The narrative follows the tragic tale of a young bride in a Polish shtetl who becomes possessed by the restless spirit of her dead lover, who had been wronged by his own father and her father's broken pledge. The possession leads to a dramatic exorcism and a series of events that explore themes of love, betrayal, and the clash between the mystical and the rational, as well as the boundaries of life and death. The story delves into the rich tapestry of Jewish mysticism, community, and tradition, reflecting the cultural and religious tensions of Eastern European Jews before the First World War.

"Shuggie Bain" is a heart-wrenching tale set in 1980s Glasgow, Scotland, centered on a young boy, Shuggie, who is struggling with his mother's deteriorating mental health and alcoholism. As he tries to navigate his own burgeoning sexuality in a harsh, unforgiving environment, he also strives to care for his mother, who is trapped in a cycle of addiction and abusive relationships. The book gives a stark portrayal of poverty, addiction, love, and the human spirit's resilience.

"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

The book is a poignant and humorous collection of interconnected stories that revolve around the staff of an English-language international newspaper based in Rome. It delves into the personal and professional lives of the reporters, editors, and executives who are struggling to keep the paper—and their own lives—afloat amidst the changing landscape of journalism. Each chapter focuses on a different character, painting a vivid portrait of the quirky and flawed individuals behind the headlines, while subtly weaving in themes of love, ambition, and the relentless march of technological change. The narrative captures the bittersweet reality of the imperfections that define us all, set against the backdrop of the declining newspaper industry.

Set in the impoverished slums of Glasgow during the 1930s, the play delves into the struggles of a working-class family grappling with the crushing weight of poverty, unemployment, and the societal expectations of the time. It poignantly portrays the life of a mother who, amidst the squalor and the daily battle for survival, strives to maintain dignity and hope for her family. Through her eyes, the audience witnesses the harsh realities of life and the resilience of the human spirit, as she navigates the challenges of keeping her family together and the complex dynamics of love, conflict, and aspiration within the cramped walls of their tenement home.