In this metatheatrical play, six characters come to life and demand that a theater director tell their tragic story, which was left incomplete by their author. As the director and his actors interact with these characters, the boundaries between fiction and reality blur, leading to a philosophical exploration of the nature of human identity, the reliability of art, and the unreliability of perception. The characters' story, involving a complex web of familial relationships, adultery, and suicide, further complicates the narrative, challenging the audience's understanding of truth and illusion.

The book is a seminal work in Yiddish literature and folklore, centering around the concept of a dybbuk—a malicious possessing spirit from Jewish mythology. The narrative follows the tragic tale of a young bride in a Polish shtetl who becomes possessed by the restless spirit of her dead lover, who had been wronged by his own father and her father's broken pledge. The possession leads to a dramatic exorcism and a series of events that explore themes of love, betrayal, and the clash between the mystical and the rational, as well as the boundaries of life and death. The story delves into the rich tapestry of Jewish mysticism, community, and tradition, reflecting the cultural and religious tensions of Eastern European Jews before the First World War.

In this novel, the protagonist is a man who, after an accident during a historical pageant, comes to believe himself to be the medieval German emperor Henry IV. For twenty years, he lives in a villa with attendants who indulge his delusion. The story delves into themes of madness, reality, and illusion as characters from his past attempt to cure him, leading to a complex examination of the nature of sanity and the role that personal mythologies play in our lives. As the line between the protagonist's delusion and the reality of those around him blurs, the narrative raises profound questions about the nature of identity and the masks people wear in society.

In this satirical farce, an eccentric and quick-witted man, referred to as the Maniac, infiltrates a police station where an anarchist railway worker's death is being investigated. The authorities claim the anarchist died by suicide, having jumped out of a window during an interrogation. However, the Maniac cleverly impersonates various officials, manipulates the policemen, and exposes the absurdities and contradictions in their stories, suggesting that the anarchist's death was not an accident but a cover-up of police brutality. The play uses sharp humor and slapstick to critique corruption and the misuse of power within the establishment, ultimately questioning the integrity of the police and the justice system.

"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

"Naked Masks" is a collection of five plays that delve into the complexities of human identity and the conflict between one's inner self and the roles imposed by society. The plays explore themes of madness, illusion, and existential uncertainty, often through characters who are caught in the tension between appearance and reality. The author uses the metaphor of the mask to represent the personas that individuals adopt in public, while questioning the nature of truth and the possibility of truly understanding oneself or others. The plays challenge audiences to consider the fluidity of identity and the performative aspects of everyday life.