This novel is a semi-autobiographical account of the author's life as a drug addict in the 1950s. The protagonist, living in New York City, becomes addicted to heroin and resorts to petty crime to support his habit. As he navigates the seedy underworld of drug addiction, he experiences the highs and lows of substance abuse, the desperate scramble for the next fix, and the constant threat of arrest. The book offers a stark, brutally honest portrayal of addiction and its effects on the human psyche.

This biography delves into the tumultuous and vibrant life of a renowned Mexican painter known for her captivating self-portraits and works inspired by nature and artifacts of her country. It explores her complex relationship with her muralist husband, her struggles with chronic pain and health issues stemming from a tragic accident, and her passionate political activism. The book paints a vivid picture of her artistic triumphs and personal tribulations, offering an intimate look at her unique spirit and the cultural and political influences that shaped both her life and her art.

This novel is a rich tapestry of family history and Mexican and American cultures, told through the eyes of a young girl, Lala Reyes, during her annual road trips to Mexico City. The narrative weaves through generations, focusing on the complexities of family dynamics, identity, and the search for one's place within two cultures. Central to the story is the symbolic caramelo rebozo, a striped shawl inherited from Lala's grandmother, which serves as a metaphor for the blending of traditions, histories, and the colorful stories that make up Lala's heritage. Through vivid storytelling, the book explores themes of memory, storytelling, and the immigrant experience, offering a poignant look at the bonds that tie families together across borders and generations.