"Miss Julie" is a classic play that delves into the themes of class, love, and power. The story revolves around the daughter of a Count who, in a moment of passion, becomes involved with her father's valet. This scandalous affair leads to a tumultuous power struggle between the two characters, ultimately resulting in tragedy. The narrative explores the dynamics of gender and class in the late 19th century, revealing the societal constraints that lead to the characters' downfall.

"Teahouse" is a historical drama that explores 50 years of Chinese history (1898-1948) through the microcosm of a Beijing teahouse. The narrative follows the lives of the teahouse owner and his customers, reflecting the social changes, political turmoil, and cultural shifts of the time. The story provides a deep insight into the Chinese society, its traditions, and the impact of Western influence. It also highlights the struggle of the common people amidst corruption, oppression, and the collapse of traditional values.

"The Father" is a dramatic play that explores the battle of the sexes through the lens of a dysfunctional family. The story centers on a military captain and his wife as they engage in a power struggle over the future of their daughter. The wife manipulates everyone around her to convince them that her husband is insane, leading to tragic consequences. The narrative delves deep into themes of gender roles, power dynamics, and the nature of truth.

The play delves into the dark and mysterious world of a young student who, after a chance encounter, becomes entangled in the lives of the residents of a haunted house. As he becomes more involved, he is exposed to the deceit, betrayal, and moral decay that lie beneath the surface of the seemingly respectable household. The narrative unfolds through a series of surreal and ghostly events, revealing the psychological and existential struggles of the characters as they grapple with their past sins, illusions of love, and the search for redemption and truth in a world filled with secrets and specters.

"The Peony Pavilion" is a romantic tragicomedy play set during the Ming Dynasty, revolving around the love story between Du Liniang and Liu Mengmei. After falling in love with Liu in a dream, Du Liniang, the daughter of a high official, pines for him so deeply that she becomes ill and dies. Her spirit roams, seeking to be reunited with her lover. Liu, a young scholar, later discovers her portrait and falls in love with the image, leading to a series of supernatural events that eventually culminate in Du Liniang’s resurrection and the lovers' marriage. The play explores themes of love, destiny, and the metaphysical, challenging the social norms of the time.

"The Dance of Death" is a darkly comedic play that delves into the tumultuous and decaying marriage of Edgar and Alice, an aging military captain and his wife, who are living in an isolated fortress. As they engage in psychological warfare, their toxic relationship is laid bare, revealing deep-seated resentment, bitterness, and a twisted dependency on one another. The arrival of Kurt, Alice's cousin, further intensifies the situation, as old wounds are reopened and the characters are forced to confront the reality of their lives and the destructive nature of their bond. The play is a stark exploration of marital strife, the human condition, and the intricate and often destructive dance that is human relationships.

"To Damascus" is a semi-autobiographical play that follows the spiritual journey of the protagonist, known as the Stranger, who embarks on a quest for meaning and redemption. Struggling with guilt, doubt, and a sense of existential despair, he encounters various symbolic characters, including the Confessor and the Lady, who represent different aspects of his psyche and philosophical challenges. The play delves into themes of faith, suffering, and the search for truth, as the Stranger's pilgrimage reflects the author's own introspective exploration of personal crisis and spiritual awakening. Set against the backdrop of turn-of-the-century Europe, the work is a complex blend of psychological drama and religious allegory, illustrating the profound inner conflicts and transformative experiences of its central figure.

In the play, the audience is taken on a surreal journey through the dreamlike experiences of the daughter of a god who descends to Earth to better understand human suffering. The narrative defies conventional time and space, weaving together a series of disjointed scenes that reflect the illogical and fluid nature of dreams. The characters she encounters are trapped in their own cycles of misery, their lives marked by frustration, disappointment, and the futility of their pursuits. The dreamer navigates this shifting landscape, attempting to find meaning and compassion within the chaos, ultimately revealing the universal struggles of the human condition.

"The Other Shore" is a play that explores themes of identity, freedom, and human nature through a series of allegorical and surreal scenes. The narrative follows a group of characters who attempt to cross a river, symbolizing the transition from the oppressive constraints of their old lives to a new, unknown existence. As they confront various existential challenges and philosophical dilemmas, the characters grapple with their desires, fears, and the very essence of their beings, ultimately questioning the nature of reality and the possibility of true liberation. The play delves into the conflicts between individuality and collective identity, and the struggle for personal authenticity in the face of societal norms.