In this metatheatrical play, six characters come to life and demand that a theater director tell their tragic story, which was left incomplete by their author. As the director and his actors interact with these characters, the boundaries between fiction and reality blur, leading to a philosophical exploration of the nature of human identity, the reliability of art, and the unreliability of perception. The characters' story, involving a complex web of familial relationships, adultery, and suicide, further complicates the narrative, challenging the audience's understanding of truth and illusion.

"Correction" is a complex narrative revolving around the life of a man named Roithamer, a genius obsessed with constructing an architectural masterpiece, the Cone, in the center of the Kobernausser forest. The story is told through the perspective of his friend who is reading Roithamer's notes after his suicide. The novel explores themes of obsession, isolation, and the pursuit of perfection, while also delving into the protagonist's troubled relationships with his family and society.

"Extinction" is a novel that explores the dark and complex themes of family, identity, and history through the eyes of its protagonist, a professor living in Rome. When he receives news of the deaths of his parents and brother in a car accident, he is forced to confront his past and his Austrian heritage. The narrative delves into his thoughts and feelings, his criticisms of his family and society, and his philosophical musings on life and death, all while he prepares to return to his family's estate for the funeral. The novel is renowned for its dense, stream-of-consciousness style and its unflinching examination of the human condition.

The book tells the story of a man who has his identity shattered when his wife casually notes that his nose tilts to the right, something he had never noticed before. This seemingly insignificant comment leads him into an obsessive quest to understand how he is perceived by others, and he gradually loses his sense of self as he fragments into a multitude of characters. The protagonist's existential crisis intensifies as he realizes that everyone he meets perceives him differently, leading him to question his own existence and ultimately, his sanity.

The book is a darkly introspective narrative that delves into the mind of a reclusive, obsessive intellectual who is struggling to complete his scholarly work on the composer Mendelssohn. As he grapples with his own ailments and the perceived mediocrity of his surroundings, the protagonist's stream-of-consciousness monologue reveals his deep-seated anxieties, self-loathing, and profound isolation. The narrative is a relentless examination of the protagonist's psyche, showcasing his critical view of society and his own personal relationships, which are fraught with tension and dysfunction. Through this, the novel explores themes of artistic creation, intellectual elitism, and the suffocating nature of expectations and familial obligations.

Woodcutters is a darkly humorous critique of Vienna's artistic elite. The story takes place over the course of a single evening, as the narrator attends a dinner party in honor of a recently successful actor. As the evening progresses, he reflects on the pretentiousness and hypocrisy of the guests, the mediocrity of their artistic achievements, and the tragic suicide of his former lover. The novel is a scathing indictment of the vanity and self-delusion of the artistic community.

The book revolves around a linguist who finds himself inexplicably trapped in a nightmarish city where he cannot understand the language or communicate with the inhabitants. Despite his expertise in languages, the protagonist's skills are rendered useless in this alien environment, leading to a series of Kafkaesque encounters as he desperately tries to make sense of his surroundings and find a way back home. His isolation is compounded by the city's indifferent bureaucracy and the strange, often absurd, customs of its citizens, turning his ordeal into an existential struggle for identity and understanding in the face of an incomprehensible world.

"Tóték" is a satirical novella set during World War II in a Hungarian village occupied by Soviet troops. The story revolves around the Tót family, who are forced to accommodate a Russian artillery captain in their home. As the family goes to absurd lengths to please their unwanted guest, the novella humorously and critically explores themes of power, oppression, and the absurdity of war. The interactions between the Hungarian family and the Russian officer highlight the cultural misunderstandings and the tragicomic aspects of life under military occupation, offering a poignant reflection on the human condition during times of conflict.

"The Loser" is a philosophical novel that revolves around the complex relationship between three friends who are all piano virtuosos. The narrative is driven by the protagonist's obsession with his friend's suicide, which he believes was triggered by the realization that they could never surpass the genius of their third friend. The book delves into the protagonist's psyche as he grapples with themes of talent, ambition, failure, and the destructive power of comparison.

"Animalinside" is a haunting and surreal novella that delves into the mind of a narrator who becomes consumed by an animalistic alter ego. As the protagonist's thoughts and actions blur the line between human and animal, the narrative takes on a dark and disorienting tone, exploring themes of identity, violence, and the primal instincts that lie within us all. Through the collaboration of Krasznahorkai's mesmerizing prose and Neumann's striking illustrations, "Animalinside" offers a mesmerizing and thought-provoking exploration of the human psyche.

"Naked Masks" is a collection of five plays that delve into the complexities of human identity and the conflict between one's inner self and the roles imposed by society. The plays explore themes of madness, illusion, and existential uncertainty, often through characters who are caught in the tension between appearance and reality. The author uses the metaphor of the mask to represent the personas that individuals adopt in public, while questioning the nature of truth and the possibility of truly understanding oneself or others. The plays challenge audiences to consider the fluidity of identity and the performative aspects of everyday life.