"The Dwarf" is a dark, philosophical novel set in the Italian Renaissance, narrated by a malevolent court dwarf who serves a prince. The dwarf is a symbol for the darker side of humanity, embodying all the malice, deceit, and manipulation that one can possess. His actions and viewpoint provide a cynical commentary on human nature and the moral complexities of power, war, and love. The novel explores themes of good and evil, faith and doubt, and the destructive side of human nature.

"To Damascus" is a semi-autobiographical play that follows the spiritual journey of the protagonist, known as the Stranger, who embarks on a quest for meaning and redemption. Struggling with guilt, doubt, and a sense of existential despair, he encounters various symbolic characters, including the Confessor and the Lady, who represent different aspects of his psyche and philosophical challenges. The play delves into themes of faith, suffering, and the search for truth, as the Stranger's pilgrimage reflects the author's own introspective exploration of personal crisis and spiritual awakening. Set against the backdrop of turn-of-the-century Europe, the work is a complex blend of psychological drama and religious allegory, illustrating the profound inner conflicts and transformative experiences of its central figure.