"Disgrace" is a novel that explores the life of a middle-aged professor in South Africa who is dismissed from his position after having an affair with a student. After losing his job, he moves to the countryside to live with his daughter, where they experience a violent attack that significantly alters their lives. The story delves into themes of post-apartheid South Africa, racial tension, sexual exploitation, and the struggle for personal redemption.

"All Souls' Day" is a novel about a Dutch documentary filmmaker, who, after losing his wife and daughter in a car accident, moves to Berlin to escape his grief. The protagonist becomes entangled in a series of romantic relationships while struggling to come to terms with his loss. The book blends narrative with philosophical musings on memory, loss, and the nature of time, using the city of Berlin as a backdrop to illustrate the protagonist's internal journey.

"Return to Oegstgeest" is a semi-autobiographical narrative that explores the author's childhood and adolescence in the small Dutch town of Oegstgeest during the pre and post-World War II era. The book delves into the author's troubled relationship with his stern, religious parents, his struggles with faith, and his burgeoning artistic and sexual awakening. The narrative is a poignant exploration of memory, family, and the experiences that shape one's identity.

"Rituals" is a philosophical novel that explores the lives of three men, each dealing with existential crises in post-World War II Netherlands. The narrative delves into their individual searches for meaning and purpose, their struggles with societal norms, and their attempts to establish personal rituals as a way to create order in a seemingly chaotic world. The book is a profound meditation on the human condition, examining themes of time, death, and the nature of reality.

"Gimmick!" is a novel that explores the life of a young artist in the Amsterdam art scene during the 1980s. The protagonist is caught in a world of excess, parties, drugs, sex, and betrayal while trying to find his place and make a name for himself. The story delves into the struggles of artistic life, the lure of fame and the pitfalls of success, providing a raw and gritty depiction of the times.

The book is a character-driven novel set in South Africa during the apartheid era. The protagonist is a wealthy, white industrialist who buys a farm with the intention of using it as a weekend retreat. However, the farm proves to be unprofitable and difficult to manage, and the protagonist's life becomes intertwined with the lives of the black people who live and work on the land. The narrative explores themes of ownership, identity, and the struggle for meaning in a racially divided society.

"The Laws" is a philosophical novel that follows the life of a young woman studying philosophy who becomes intrigued by the concept of laws, both societal and personal. Over the course of seven years, she engages in relationships with seven different men, each representing a different aspect of her studies including a priest, a physicist, an artist, a psychiatrist, a lawyer, a biologist, and a writer. Each relationship provides a new perspective on her quest to understand the laws of the universe and human nature.

This novel explores the resilience and struggles of a group of women in a rural South African village during the apartheid era. As they grapple with oppressive laws, land seizures, and the forced labor system that sends their men to work in distant mines, the women band together to sustain their families and community. Their story is one of survival and solidarity in the face of systemic racism and sexism, highlighting the intersection of personal and political battles while showcasing the strength and endurance of women under extreme hardship.

The novel follows the life of Elizabeth Costello, a renowned Australian writer, as she navigates through her twilight years. Through eight different narratives, the book explores her perspectives on various topics, including animal rights, the nature of evil, and the difficulty of understanding oneself. The novel is a profound exploration of the human condition, the nature of storytelling, and the conflict between life and art.

"Boyhood: Scenes from Provincial Life" is a semi-autobiographical novel that explores the author's childhood in South Africa during the apartheid era. The narrative delves into the complexities of family dynamics, racial tension, and the struggle of a young boy trying to understand his place in a divided society. The protagonist grapples with his identity, torn between his Afrikaner heritage and his English schooling, while also navigating the trials of adolescence. The book offers a poignant and often painful reflection on the formative years of a boy growing up in a fraught and turbulent time.

"Foe" is a novel that reimagines the classic tale of "Robinson Crusoe" through a postmodern lens, exploring themes of language, power, and colonialism. The story introduces a female character, Susan Barton, who finds herself cast away on the same island as Crusoe and Friday. Upon her return to England, she seeks out a writer to help tell her version of the events, but struggles with the erasure of her voice and the complexities of storytelling. The narrative delves into the silent history of Friday, whose tongue has been cut out, and the power dynamics between the characters, ultimately questioning the nature of truth and the ownership of stories.

"Youth" is a semi-autobiographical novel centered around a young man who leaves his homeland of South Africa for London in the 1960s, hoping to escape his oppressive and dull life. He seeks to immerse himself in the world of art and literature, yearning for a profound and transformative experience. However, he struggles to find his place in this new world, grappling with loneliness, unfulfilling jobs, and failed relationships. The book explores themes of alienation, the search for identity, and the disillusionment of youth.

This novel delves into the lives of a white South African family over several decades, tracing the country's transition from apartheid to democracy. At the heart of the story is a broken promise made to Salome, a black woman who works for the family, to gift her a house. This unfulfilled commitment serves as a metaphor for the broader societal promises of justice and equity that remain unkept. Through the lens of one family's complex dynamics, betrayals, and secrets, the narrative explores themes of guilt, racial tensions, and the struggle for redemption, reflecting on the challenges of reconciling with the past in a changing South Africa.