Set in the 1980s during the era of Margaret Thatcher's conservative government in Britain, this novel follows the life of a young gay man named Nick Guest. Coming from a middle-class background, he moves into the home of his wealthy friend's family and becomes infatuated with the opulence and power of the upper class. As he navigates his way through this new world, he also explores his sexuality, all while dealing with the societal and political implications of the AIDS crisis.

The novel is a darkly comic, murder mystery set in London at the end of the 20th century. The story follows three main characters: a terminally ill American writer, a petty criminal, and a beautiful but doomed woman who predicts her own murder but not the murderer. The narrative is filled with satirical social commentary, exploring themes of love, lust, greed, and deception.

"Never Mind" is a darkly humorous and deeply disturbing narrative about an aristocratic English family. The story primarily focuses on a five-year-old boy who is the victim of his sadistic and sexually abusive father, while his mother, an alcoholic, ignores the situation. The narrative also provides a scathing critique of the British upper class through its exploration of the family's decadent lifestyle and morally corrupt behavior.

The novel follows the story of a scorned wife who embarks on a transformative journey of revenge against her adulterous husband and his mistress. After being belittled for her appearance and discarded for a more beautiful woman, she decides to reinvent herself completely, both physically and socially, to exact retribution. Her quest for vengeance leads her down a dark path where she manipulates and destroys the lives of those who wronged her. As she assumes control of her destiny, the protagonist challenges societal expectations of femininity and power, ultimately questioning the true nature of identity and the cost of her unyielding pursuit of justice.

"Bad News" is the second novel in a series that follows the life of Patrick Melrose, a man from a wealthy but deeply troubled family. In this installment, Patrick, now 22, must travel to New York to collect his father's ashes. As he navigates the city, he struggles with his addiction to drugs and alcohol, and grapples with the traumatic memories of his abusive father. The narrative provides a darkly comic and deeply poignant exploration of addiction, trauma, and the struggle for redemption.

"Some Hope" is a darkly humorous novel that delves into the life of a man who struggles to overcome his traumatic past and drug addiction. He is invited to a lavish party filled with Britain's aristocracy, where he must confront his past and deal with the pretentious and shallow society he is part of. The narrative explores themes of abuse, recovery, and the struggle to find redemption and hope amidst despair.

The novel follows the life of Patrick Melrose, a man battling with his drug addiction and his troubled relationship with his parents. Patrick tries to come to terms with his mother’s decision to leave her estate to a New Age foundation rather than to him, her only son. The story delves into the complexities of inheritance, parenthood, and the lasting impact of childhood trauma. The narrative shifts between the perspectives of Patrick, his wife, and their two young sons, providing a multi-dimensional view of the family's struggles.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.

This play is a complex, intellectual comedy that delves into themes of moral philosophy, the nature of truth, and the complexities of human relationships. Set against a backdrop of a fantastical world where acrobats (the "Jumpers") philosophize about God and the universe, the narrative centers around a philosophy professor who is trying to reconcile his moral compass with the chaotic world around him, including his mentally disturbed wife and a murder mystery. Through witty dialogue and absurd situations, the play explores deep existential questions, making profound observations on the human condition and the search for meaning in an increasingly absurd world.

"The Complete Plays" is a collection of darkly humorous and satirical works by a renowned 20th-century playwright, known for his subversive take on social norms and institutions. The plays within this anthology challenge the boundaries of conventional theater, blending elements of farce and black comedy to critique the hypocrisies of society. The characters often find themselves in absurd and scandalous situations, reflecting the playwright's interest in the themes of sexuality, authority, and the fluidity of identity. With a sharp wit and a flair for dialogue, the plays remain influential, highlighting the enduring power of satire in the dramatic arts.

The graphic novel revolves around a young journalist who returns to her small English village and becomes the center of attention among the local residents. Her arrival and subsequent transformation from an awkward teenager to a glamorous woman stir up a whirlwind of jealousy, infidelity, and gossip within the rural community, particularly among the guests and owners of a writers' retreat. The narrative, which is a modern reworking of Thomas Hardy's "Far from the Madding Crowd," explores themes of desire, the impact of beauty, and the complexities of romantic relationships, all while offering a satirical look at literary life and rural idylls.

Set in 1960s Brighton, the play is a hilarious farce that follows the bumbling and perpetually hungry Francis Henshall, who becomes separately employed by two men – Roscoe Crabbe, a local gangster, and Stanley Stubbers, an upper-class criminal. Unbeknownst to Francis, Roscoe is actually Roscoe's sister Rachel in disguise, her twin brother having been killed by her boyfriend, who is none other than Stanley Stubbers. As Francis tries to keep each of his guvnors unaware of the other, he becomes entangled in a web of deception, love triangles, and mistaken identities, leading to a series of comedic mishaps and slapstick humor as he struggles to satisfy his insatiable appetite and keep his dual employment a secret.

This play is a dark comedy that unfolds over three successive Christmas Eves, focusing on three couples of varying social statuses linked by business and personal relationships. The narrative explores themes of social climbing, marital discord, and the often absurd nature of human behavior, as the characters' fortunes rise and fall. Each act takes place in a different couple's kitchen, serving as a backdrop to the shifting dynamics and power structures within the group. The humor is both situational and poignant, revealing the characters' desperate attempts to maintain appearances and control in the face of life's unpredictability and their own personal failures.