"The Last Days of Mankind" is a satirical play that provides a critical commentary on the socio-political climate during World War I. The narrative presents a stark portrayal of the absurdity of war and the destructive forces of propaganda, bureaucracy, and nationalism. The author uses a variety of literary techniques, including parody, satire, and direct quotes from contemporary sources, to highlight the folly and tragedy of war. The play is known for its unique style, rich language, and its profound critique of society and culture during a time of great upheaval and conflict.

The play revolves around a Jewish physician who heads a Viennese clinic and becomes embroiled in a scandal when he prevents a Catholic priest from giving the last rites to a dying patient who is unaware of the seriousness of her condition. His actions, motivated by a desire to preserve the patient's peace of mind, are misinterpreted as anti-Catholic, leading to a public outcry and a power struggle that reflects the deeply ingrained anti-Semitism and political opportunism of the time. The doctor's principled stand becomes a flashpoint for societal and professional conflict, raising questions about ethics, religion, and the corrosive effects of prejudice.

"Exiles" is a play that delves into the complexities of love, trust, and intellectual freedom. It revolves around Richard Rowan, a writer who returns to Dublin from self-imposed exile with his common-law wife Bertha and their son. Reconnecting with his old friend Robert Hand and his cousin Beatrice Justice, Richard is confronted with the intricacies of his unconventional relationships and the tensions that arise from his liberal views on love and fidelity. The play explores the emotional turmoil and moral dilemmas faced by the characters as they navigate the boundaries of personal freedom and societal expectations, ultimately questioning the nature of true commitment and the possibility of reconciliation within strained relationships.