"Homo Faber" is a novel about a man named Walter Faber, a highly rational and logical Swiss engineer who believes strongly in technology and progress. His life is turned upside down when he survives a plane crash in the Mexican desert, falls in love with a young woman who turns out to be his daughter, and then loses her to a tragic death. This series of events forces him to question his faith in technology and confront the irrationality of life.

The novel follows the adventures of an eccentric, violent, and mentally unstable protagonist who is released from an asylum by his psychiatrist. The pair embark on a chaotic journey across Europe and America, encountering a variety of strange and often dangerous situations. The narrative explores themes of insanity, violence, and the human condition, offering a dark and surreal critique of modern society.

The book is a collection of short stories set in Europe following World War II, primarily focusing on the lives of expatriates and displaced individuals. Through a series of vividly drawn characters, the narrative explores themes of memory, alienation, and the search for identity amidst the lingering shadows of conflict. The stories are linked by their setting in the "Fifteenth District" of a European city, which serves as a microcosm of a continent struggling to reconcile its past with the present, and where the ghosts of history continue to influence the living in profound and often unsettling ways.

"War" by Margaret MacMillan is a comprehensive analysis of the causes, conduct, and consequences of war throughout history. Drawing on a vast range of sources, including personal accounts, political documents, and military strategy, MacMillan explores the human motivations behind war and the complex web of political, economic, and social factors that drive nations to conflict. She examines the impact of war on individuals and societies, from the trauma of soldiers on the front lines to the far-reaching political and economic consequences of global conflicts. Ultimately, MacMillan argues that war is a deeply human phenomenon, shaped by the complex interplay of individual and collective desires, fears, and ambitions.