"Labyrinths" is a collection of short stories and essays that explore complex themes of infinity, parallel universes, and the blurred lines between reality and illusion. The narratives often feature protagonists who are scholars or librarians, trapped in surreal, metaphysical landscapes. The author's unique writing style combines elements of magical realism, philosophy, and detective fiction, creating an intricate web of narratives that challenge the reader's perception of reality and fiction.

This avant-garde novel invites readers into a non-linear narrative that can be read in two different orders, following the life of Horacio Oliveira, an Argentine intellectual living in Paris with his lover, La Maga. The story explores philosophical and metaphysical themes, delving into the nature of reality and the human condition, while also examining the struggles of intellectual and emotional life. The second part of the novel takes place in Buenos Aires, where Horacio returns after La Maga disappears, and where he grapples with his past, his identity, and his place in the world.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.