"Correction" is a complex narrative revolving around the life of a man named Roithamer, a genius obsessed with constructing an architectural masterpiece, the Cone, in the center of the Kobernausser forest. The story is told through the perspective of his friend who is reading Roithamer's notes after his suicide. The novel explores themes of obsession, isolation, and the pursuit of perfection, while also delving into the protagonist's troubled relationships with his family and society.

The book is a darkly introspective narrative that delves into the mind of a reclusive, obsessive intellectual who is struggling to complete his scholarly work on the composer Mendelssohn. As he grapples with his own ailments and the perceived mediocrity of his surroundings, the protagonist's stream-of-consciousness monologue reveals his deep-seated anxieties, self-loathing, and profound isolation. The narrative is a relentless examination of the protagonist's psyche, showcasing his critical view of society and his own personal relationships, which are fraught with tension and dysfunction. Through this, the novel explores themes of artistic creation, intellectual elitism, and the suffocating nature of expectations and familial obligations.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"Happy Moscow" is a satirical novel set in the Soviet Union during the height of Stalinist rule, following the life of a young woman, Moscow Chestnova, who is named after the capital city. Despite the harsh realities of life under an authoritarian regime, she maintains a positive and optimistic outlook, symbolizing the Soviet Union's propaganda that promoted an image of a happy and prosperous society. The novel, through its characters and their experiences, explores the paradoxes and contradictions of the Soviet society, challenging the official narrative of happiness and prosperity.

"Antiworlds" is a collection of poetry that provides a glimpse into the Soviet Union during the Cold War era. The poems are characterized by their avant-garde style, exploring themes of love, politics, and the human condition. The book includes the author's reflections on his travels around the world, his experiences with other cultures, and his perspective on the political climate of his time. The poems are both personal and universal, offering a unique perspective on the world during a period of intense political and social change.

The novel presents a fragmented and surreal narrative that delves into the mind of a young boy with a learning disability, attending a special school in the Soviet Union. Through a stream-of-consciousness style, the book explores the boy's experiences and perceptions, blending reality with fantasy, and time with memory. The protagonist's inner world is rich with poetic language and vivid imagery, reflecting his struggle to find his place in a society that marginalizes those who are different. The narrative structure defies conventional storytelling, offering a unique and challenging perspective on the nature of sanity, the power of institutions, and the complexity of the human psyche.

The novel in question is a complex and multi-layered exploration of Soviet intellectual life, following the story of a literary scholar who becomes deeply entangled in his research on the life of a fictional 19th-century Russian poet. As the protagonist delves into the poet's work and biography, his own life begins to mirror the subject of his study, leading to a blurring of past and present, reality and fiction. The narrative weaves together themes of identity, history, and the power of literature, all set against the backdrop of the oppressive atmosphere of the Soviet Union, where the quest for personal and artistic freedom is fraught with peril and contradiction.

"The Loser" is a philosophical novel that revolves around the complex relationship between three friends who are all piano virtuosos. The narrative is driven by the protagonist's obsession with his friend's suicide, which he believes was triggered by the realization that they could never surpass the genius of their third friend. The book delves into the protagonist's psyche as he grapples with themes of talent, ambition, failure, and the destructive power of comparison.