"Happy Moscow" is a satirical novel set in the Soviet Union during the height of Stalinist rule, following the life of a young woman, Moscow Chestnova, who is named after the capital city. Despite the harsh realities of life under an authoritarian regime, she maintains a positive and optimistic outlook, symbolizing the Soviet Union's propaganda that promoted an image of a happy and prosperous society. The novel, through its characters and their experiences, explores the paradoxes and contradictions of the Soviet society, challenging the official narrative of happiness and prosperity.

The book is a profound reflection on the nature of memory, history, and the enduring impact of war. Through a series of interconnected poems, the work weaves together personal and collective experiences, focusing on the tumultuous events of the Russian Revolution and the subsequent Stalinist era. The poet grapples with the themes of loss, betrayal, and the search for redemption, while also paying homage to the artists and thinkers who suffered under repressive regimes. Rich in allusions and steeped in a complex interplay of voices and time periods, the narrative serves as a poignant meditation on the role of the poet and the power of poetry to bear witness to the tragedies of the past.

"Antiworlds" is a collection of poetry that provides a glimpse into the Soviet Union during the Cold War era. The poems are characterized by their avant-garde style, exploring themes of love, politics, and the human condition. The book includes the author's reflections on his travels around the world, his experiences with other cultures, and his perspective on the political climate of his time. The poems are both personal and universal, offering a unique perspective on the world during a period of intense political and social change.