"Pygmalion" is a play that explores the transformative power of education and the nature of language and communication. It follows the story of a cockney flower girl named Eliza Doolittle who is taught to speak and behave like a duchess by a pompous phonetics professor, Henry Higgins. Throughout the process, Eliza develops self-respect and personal dignity, challenging the Victorian society's rigid class system. The play also questions the idea of 'making' someone and the moral responsibility that comes with it.

This collection of three plays offers a deep exploration of human emotions, societal norms and familial relationships. The first play, 'The Hostage', revolves around the complexities of love and sacrifice. The second play, 'Crusts', delves into the struggles of poverty and the human spirit's resilience. The final play, 'The Humiliation of the Father', portrays the dynamics of a dysfunctional family and the impact of parental behaviour on children. Each play, while distinct in their narratives, collectively provides a profound commentary on human nature and society.

The book is a seminal work in Yiddish literature and folklore, centering around the concept of a dybbuk—a malicious possessing spirit from Jewish mythology. The narrative follows the tragic tale of a young bride in a Polish shtetl who becomes possessed by the restless spirit of her dead lover, who had been wronged by his own father and her father's broken pledge. The possession leads to a dramatic exorcism and a series of events that explore themes of love, betrayal, and the clash between the mystical and the rational, as well as the boundaries of life and death. The story delves into the rich tapestry of Jewish mysticism, community, and tradition, reflecting the cultural and religious tensions of Eastern European Jews before the First World War.

"The Last Days of Mankind" is a satirical play that provides a critical commentary on the socio-political climate during World War I. The narrative presents a stark portrayal of the absurdity of war and the destructive forces of propaganda, bureaucracy, and nationalism. The author uses a variety of literary techniques, including parody, satire, and direct quotes from contemporary sources, to highlight the folly and tragedy of war. The play is known for its unique style, rich language, and its profound critique of society and culture during a time of great upheaval and conflict.

Set against the backdrop of pre-World War I Britain, the play unfolds in the eccentric household of Captain Shotover, an old sea captain turned inventor. The narrative explores the lives and loves of the inhabitants of the so-called "Heartbreak House," who represent a microcosm of British society at the time. As they engage in witty banter and romantic entanglements, the characters remain blissfully unaware of the looming external threats that will soon engulf Europe. The play serves as a social critique, highlighting the idle, ineffective intellectualism and lack of moral direction among the British cultural elite, which Shaw saw as contributing to the country's decline and the catastrophic war on the horizon.

"Exiles" is a play that delves into the complexities of love, trust, and intellectual freedom. It revolves around Richard Rowan, a writer who returns to Dublin from self-imposed exile with his common-law wife Bertha and their son. Reconnecting with his old friend Robert Hand and his cousin Beatrice Justice, Richard is confronted with the intricacies of his unconventional relationships and the tensions that arise from his liberal views on love and fidelity. The play explores the emotional turmoil and moral dilemmas faced by the characters as they navigate the boundaries of personal freedom and societal expectations, ultimately questioning the nature of true commitment and the possibility of reconciliation within strained relationships.