This novel is a complex narrative that weaves together three distinct yet intertwined stories. The first story is set in 1930s Moscow and follows the devil and his entourage as they wreak havoc on the city's literary elite. The second story is a historical narrative about Pontius Pilate and his role in the crucifixion of Jesus Christ. The third story is a love story between the titular Master, a writer who has been driven to madness by the criticism of his work, and his devoted lover, Margarita. The novel is a satirical critique of Soviet society, particularly the literary establishment, and its treatment of artists. It also explores themes of love, sacrifice, and the nature of good and evil.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

The novel presents a fragmented and surreal narrative that delves into the mind of a young boy with a learning disability, attending a special school in the Soviet Union. Through a stream-of-consciousness style, the book explores the boy's experiences and perceptions, blending reality with fantasy, and time with memory. The protagonist's inner world is rich with poetic language and vivid imagery, reflecting his struggle to find his place in a society that marginalizes those who are different. The narrative structure defies conventional storytelling, offering a unique and challenging perspective on the nature of sanity, the power of institutions, and the complexity of the human psyche.