Set during the end of World War II, the novel follows Tyrone Slothrop, a lieutenant in the U.S. Army, as he tries to uncover the truth behind a mysterious device, the "Schwarzgerät", that the Germans are using in their V-2 rockets. The narrative is complex and multi-layered, filled with a vast array of characters and subplots, all connected by various themes such as paranoia, technology, and the destructive nature of war. The book is known for its encyclopedic nature and its challenging, postmodernist style.

"Vertigo" is a complex narrative that combines elements of fiction, travelogue, biography, and autobiography. The novel is divided into four sections, each exploring the life and works of different historical figures such as Stendhal, Kafka, and Casanova, as well as the author's own experiences. The narrative is characterized by its exploration of themes such as memory, identity, and the past, often blurring the lines between fact and fiction. The book is also notable for its distinctive style, featuring long, meandering sentences and a lack of traditional plot structure.

This novel follows the life of a young Turkish girl growing up in the 1950s and 60s, exploring her experiences in a rapidly changing society. The protagonist navigates the complexities of her family life, her struggle with her identity and her eventual emigration to Germany. The book explores themes of female empowerment, cultural clashes, and the immigrant experience, all told through a unique narrative style that blends reality with dreams and folktales.

"The Museum of Unconditional Surrender" is a poignant and surreal narrative that explores the dislocation and fragmentation experienced by an unnamed narrator who has been exiled from her homeland, former Yugoslavia. The novel is presented as a collection of fragments, including letters, diary entries, and observations, which together portray a deep longing for a lost homeland and an exploration of memory, identity, and the power of art. The story is centered around a photograph of a walrus in a Berlin zoo, which serves as a metaphor for the narrator's own feelings of displacement and alienation.