"Cancer Ward" is a poignant novel set in a Soviet cancer hospital in the mid-1950s. It follows the lives and struggles of patients and doctors, exploring their personal histories, relationships, and the political environment of the time. The hospital serves as a metaphor for the oppressive Soviet state, with cancer symbolizing the malignant growth of totalitarianism. The book also explores themes of mortality, the human spirit, and the will to survive.

"The Witness" is a novel that explores the life of a young European boy who is the only survivor of a shipwreck in the 16th century. He is found and raised by a tribe of Indians in South America, where he spends ten years of his life. The boy is eventually found by a band of Spanish conquistadors and returns to Europe, where he becomes a well-respected scholar. The story unfolds as the man, now in his 90s, recounts his experiences and struggles to reconcile his European identity with his decade-long immersion in the tribal culture.

"The Burn: A Novel in Three Books : (late Sixties--early Seventies)" is a historical novel that explores the cultural and political landscape of the Soviet Union during the late 1960s and early 1970s. The book follows a group of intellectuals, artists, and dissidents who are striving to preserve their individuality and freedom in a society that is increasingly oppressive and conformist. The narrative is punctuated by surreal and fantastical elements, reflecting the characters' struggle to maintain their sanity and dignity in a world that seems to be spiraling into madness.

"Santa Evita" is a fictionalized account of the life and death of Eva Peron, the beloved First Lady of Argentina. The book delves into the mysterious journey of her embalmed corpse which was moved around the world and hidden for 16 years after her death. The narrative, interwoven with historical facts, explores the cult-like fascination and devotion that surrounded her during her life and continues after her death.