This novel is a complex narrative that weaves together three distinct yet intertwined stories. The first story is set in 1930s Moscow and follows the devil and his entourage as they wreak havoc on the city's literary elite. The second story is a historical narrative about Pontius Pilate and his role in the crucifixion of Jesus Christ. The third story is a love story between the titular Master, a writer who has been driven to madness by the criticism of his work, and his devoted lover, Margarita. The novel is a satirical critique of Soviet society, particularly the literary establishment, and its treatment of artists. It also explores themes of love, sacrifice, and the nature of good and evil.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

In this darkly satirical novel, the protagonist, a war photographer with a penchant for exposing the brutal truths of his country's civil war, finds himself in the afterlife with no memory of how he died. Set against the backdrop of 1990s Sri Lanka, a nation ravaged by conflict, he is given a week to solve the mystery of his own death and to secure the safety of his carefully documented photographic evidence, which has the power to rock the country. With the help of some eccentric and otherworldly allies, he navigates the complexities of the afterlife, reflecting on themes of corruption, violence, and the cost of silence. The narrative is a compelling mix of humor, horror, and political commentary, offering a unique perspective on the impact of war and the importance of truth.