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"Moviegoing" as a book category covers the cultural practice and lived experience of attending films — the theaters, rituals, and social worlds that surround exhibition rather than the films themselves. Works in this category include histories of cinemas and drive‑ins, studies of theater architecture and projection technology, memoirs and oral histories of audience life, criticism about spectatorship and programming, and visual books of cinema photography; they also treat festivals, repertory programming, fan cultures, concession economics, and the changing politics and commerce of exhibition. Books labeled Moviegoing explore how watching movies in public shapes memory, community, urban space, and identity, and they appeal to cinephiles, cultural historians, sociologists, architects, and anyone interested in the social life of film.

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