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Moving-image art as a book category covers practices, histories, theories and critical writing about image-based time arts — including film, video, animation, digital moving-image works, experimental cinema, media art and screen-based installations — whether produced for cinema, gallery or online contexts. Books in this category range from artist monographs and exhibition catalogues to scholarly histories, theoretical essays, technical guides and teaching texts, and they address topics such as form and aesthetics (montage, temporality, narration), technologies and production, spectatorship and reception, curating and display, and the intersections of moving image with performance, sound and interactivity. Interdisciplinary in nature, the category foregrounds both practical concerns (production, preservation, restoration) and critical frameworks (media archaeology, feminist and postcolonial perspectives, ecological and digital cultures), making it useful for artists, filmmakers, curators, scholars and students engaged with time-based visual media.

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