This book is a seminal work of art criticism that challenges traditional Western cultural aesthetics by examining the ways in which we culturally learn to view art, particularly the impact of modern mass-reproduction on our experience of seeing. The author argues that the context, or "gaze," through which we perceive art significantly affects its meaning and our appreciation of it. The book also explores the portrayal of women in art and society, the relationship between art and ownership, and the connection between historical context and visual perception. It is a provocative critique that encourages readers to reconsider the role of visual imagery in our everyday lives and the power structures inherent in the act of looking.

The book is a character-driven novel set in South Africa during the apartheid era. The protagonist is a wealthy, white industrialist who buys a farm with the intention of using it as a weekend retreat. However, the farm proves to be unprofitable and difficult to manage, and the protagonist's life becomes intertwined with the lives of the black people who live and work on the land. The narrative explores themes of ownership, identity, and the struggle for meaning in a racially divided society.