This classic French play revolves around the character Tartuffe, a hypocritical and cunning man who pretends to be deeply pious and religious. He manages to deceive Orgon, a wealthy family patriarch, into believing in his piety. Orgon is so taken in by Tartuffe that he decides to marry him off to his daughter, despite her love for another man. The family works together to expose Tartuffe's true nature, leading to a series of comic and dramatic events. The play is a satirical critique of religious hypocrisy and gullibility.

This book is a collection of manifestos, letters, and essays on theatre written by a 20th-century playwright and actor. It advocates for the Theatre of Cruelty, a form of theatre that rejects the comforts of traditional literature and the physicality of dance and pantomime. Instead, it emphasizes the use of symbolism, gesture, and expression to reveal the basest instincts of humanity and the subconscious mind. The author argues that theatre should not be a mere representation of reality but should affect the audience on a deep, visceral level.

This comedic play explores the life of a libertine nobleman who is infamous for his seduction of women. The protagonist is a man who lives by his own rules, unburdened by morality or religion, and who takes pleasure in manipulating others for his own gain. His actions eventually lead to his downfall when he refuses to repent for his sins, resulting in a dramatic, supernatural punishment.

"Whatever" is a satirical novel that explores the life of a depressed and disillusioned computer programmer working for a software company in Paris. The protagonist's life is characterized by his cynicism and indifference towards his job, his failed relationships, and society at large. His only relief comes from his philosophical musings about life and the human condition. The novel is a bleak critique of modern society and the isolation and alienation brought about by technology and capitalism.