"Waiting for Godot" is a play that explores themes of existentialism, despair, and the human condition through the story of two characters, Vladimir and Estragon, who wait endlessly for a man named Godot, who never arrives. While they wait, they engage in a variety of discussions and encounter three other characters. The play is characterized by its minimalistic setting and lack of a traditional plot, leaving much to interpretation.

Endgame is a one-act play that follows the lives of Hamm, a blind and unable to stand man, and Clov, his servant who cannot sit. They live in a single room, with Hamm's legless parents residing in dustbins. The characters are trapped in a cyclical existence where they constantly argue and contemplate life, death, and their own existence. The play is characterized by its minimalistic setting and bleak outlook on life, reflecting themes of existentialism and the human condition.

"Krapp's Last Tape" is a one-act play about an aging man who annually records a review of the past year of his life. On his 69th birthday, he listens to a tape from 30 years earlier, where he reflects on his life at 39, his lost love, and his isolation. The play explores themes of memory, regret, and the passing of time, with the protagonist's relationship with his younger self revealing a portrait of a man in decline.

"Happy Days" is a play that revolves around the life of Winnie, a middle-aged woman who is buried up to her waist in a mound of earth, with her situation worsening in the second act as she becomes buried up to her neck. Despite her predicament, Winnie maintains a sense of optimism and routine, often reminiscing about the past and engaging in one-sided conversations with her taciturn husband, Willie, who is largely invisible offstage. The play delves into themes of human resilience, the passage of time, and the search for meaning in the face of an absurd and unchanging predicament, with Winnie's relentless cheerfulness contrasted against the bleak and inexplicable situation she finds herself in.

"Naked Masks" is a collection of five plays that delve into the complexities of human identity and the conflict between one's inner self and the roles imposed by society. The plays explore themes of madness, illusion, and existential uncertainty, often through characters who are caught in the tension between appearance and reality. The author uses the metaphor of the mask to represent the personas that individuals adopt in public, while questioning the nature of truth and the possibility of truly understanding oneself or others. The plays challenge audiences to consider the fluidity of identity and the performative aspects of everyday life.

"Selected Works" by Alfred Jarry is a compilation of the most significant writings from a French author known for his pioneering work in the Absurdist and Surrealist movements. The collection showcases a range of Jarry's literary output, including plays, essays, and novels, with his most famous character, Père Ubu, often taking center stage. Jarry's work is characterized by its satirical edge, inventive language, and the subversion of traditional literary forms. His influence extends beyond literature into the realms of theatre and the visual arts, where his ideas have continued to resonate with avant-garde movements throughout the 20th century and beyond.

"Selected Writings" is a compilation of texts from a seminal figure in the avant-garde theater and literary world, known for his radical ideas on the performance arts and the role of the artist in society. This collection showcases the author's diverse literary output, including manifestos, plays, letters, and essays that delve into his Theatre of Cruelty concept, which sought to disrupt the complacency of the audience and challenge the boundaries of conventional theatre. The writings reflect his tumultuous life, marked by mental illness and profound philosophical inquiry, and his influential thoughts on the interplay between reality and illusion, the body and the psyche, and the potential of art to reveal the deepest truths of the human condition.