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Recorded music, as a book category, covers the people, technologies, industries and cultural practices involved in making, recording, releasing and listening to music on physical and digital media. It includes histories of recording formats (from wax cylinders and vinyl to tape, CD and streaming), biographies of engineers, producers and artists known for their studio work, technical guides to studio techniques and equipment, studies of record industry business models and distribution, discographies and album-by-album analyses, and works on collecting, archiving and audio preservation. Books in this category also address sound aesthetics, production trends (e.g., lo-fi, multitrack, sampling), audiophile equipment and listening practices, and legal or ethical issues like copyright and sampling. The audience ranges from scholars and music historians to producers, engineers, collectors and enthusiastic listeners interested in how recorded sound is created, shaped and experienced.

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