This novel is a complex narrative that weaves together three distinct yet intertwined stories. The first story is set in 1930s Moscow and follows the devil and his entourage as they wreak havoc on the city's literary elite. The second story is a historical narrative about Pontius Pilate and his role in the crucifixion of Jesus Christ. The third story is a love story between the titular Master, a writer who has been driven to madness by the criticism of his work, and his devoted lover, Margarita. The novel is a satirical critique of Soviet society, particularly the literary establishment, and its treatment of artists. It also explores themes of love, sacrifice, and the nature of good and evil.

This book is a hallmark of Brazilian literature, blending folklore, social critique, and surrealism to narrate the adventures of its eponymous hero, a shapeshifting character of indigenous origin who embarks on a journey from the Amazon rainforest to the city of São Paulo. Throughout his quest to retrieve a magical amulet stolen by a fearsome giant, the protagonist encounters a myriad of mythical creatures, gods, and figures from Brazilian folklore, all while satirizing the cultural and social issues of early 20th-century Brazil. The narrative is celebrated for its inventive language, playful use of Brazilian vernacular, and its pivotal role in the Brazilian Modernist movement, offering a unique exploration of national identity, racial diversity, and the complex relationship between tradition and modernity.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.