"Waiting for Godot" is a play that explores themes of existentialism, despair, and the human condition through the story of two characters, Vladimir and Estragon, who wait endlessly for a man named Godot, who never arrives. While they wait, they engage in a variety of discussions and encounter three other characters. The play is characterized by its minimalistic setting and lack of a traditional plot, leaving much to interpretation.

This comedic play revolves around two protagonists who both use the pseudonym "Ernest" to escape their social obligations. Their plans unravel when they fall in love and their betrothed women reveal they are only willing to marry men named Ernest. The situation is further complicated by a case of mistaken identity, a lost handbag, and a surprising revelation about one of the protagonist's parentage. The play uses wit and humor to satirize the social conventions of Victorian England, particularly the importance placed on trivialities.

This collection features selected plays by a renowned playwright, showcasing his wit, social criticism, and talent for character development. The plays touch on a wide range of themes, including class struggles, the complexities of love, the absurdity of war, and the pursuit of individual freedom. The author's sharp dialogue and satirical approach make these plays both entertaining and thought-provoking, reflecting his progressive views and his belief in the potential for societal change.

The play is a classic comedy of manners set in 18th-century Bath, England, revolving around the romantic misunderstandings and the social pretensions of its characters. The central plot follows the young Lydia Languish, who is enamored with the idea of a romantic elopement and disdains the idea of a conventional marriage. She is pursued by Captain Jack Absolute, who disguises himself as a poor ensign named Beverley to win her affections. Meanwhile, other characters engage in their own schemes and rivalries: Lydia's aunt, Mrs. Malaprop, with her famously mangled vocabulary, seeks a suitable match for her niece, while the hotheaded Sir Lucius O'Trigger and the bumbling Bob Acres both vie for the hand of the same woman. The play is a satirical examination of love, language, and social affectation.

In this satirical farce, an eccentric and quick-witted man, referred to as the Maniac, infiltrates a police station where an anarchist railway worker's death is being investigated. The authorities claim the anarchist died by suicide, having jumped out of a window during an interrogation. However, the Maniac cleverly impersonates various officials, manipulates the policemen, and exposes the absurdities and contradictions in their stories, suggesting that the anarchist's death was not an accident but a cover-up of police brutality. The play uses sharp humor and slapstick to critique corruption and the misuse of power within the establishment, ultimately questioning the integrity of the police and the justice system.

The play is a classic Italian comedy that revolves around the clever and resourceful Truffaldino, who seeks to serve two different masters simultaneously in the hope of doubling his income. The ensuing plot is a whirlwind of mistaken identities, love triangles, and comedic confusions. As Truffaldino scrambles to keep his dual employment a secret, the characters are entangled in a series of humorous situations involving love-struck young lovers, a feisty soubrette, and a pair of stern fathers. The play culminates in a series of revelations and reconciliations that restore social order and conclude with festive celebrations.

"The Mandrake" is a satirical play that explores themes of corruption, deceit, and the manipulation of social norms. Set in Renaissance Italy, the story revolves around a young man who, desperate to win the affections of a beautiful but married woman, concocts a complex scheme involving a love potion derived from the mandrake root. With the help of a cunning rascal and a corrupt priest, the plan unfolds with a series of deceptions and moral compromises, ultimately questioning the true nature of virtue and vice in a society rife with hypocrisy. The play delves into the darker aspects of human behavior, using wit and humor to expose the lengths to which individuals will go to satisfy their desires.

This collection of essays showcases the author's incisive wit and profound critical thinking as he delves into a variety of subjects, ranging from the intricacies of Shakespearean drama to the social responsibilities of the artist. The author's articulate and often controversial opinions challenge the status quo and provoke readers to reconsider their preconceptions about literature, theater, and society. His essays are celebrated for their intellectual rigor, humor, and the author's unwavering commitment to social reform, making them an enduring contribution to literary criticism and cultural discourse.

"Back to Methuselah" is a collection of five plays that span from the Garden of Eden to the distant future, exploring themes of longevity, evolution, and human development. The work presents a philosophical examination of the human condition, with characters that live for centuries, allowing the author to critique the social and political norms of different eras. The central idea is that humans must willfully evolve to achieve longer lifespans, greater wisdom, and a more profound understanding of their potential. Through a blend of comedy, drama, and speculative thought, the plays challenge readers to consider the possibilities of human progress and the necessity of embracing change for survival.

"The Hostage" is a play set in a Dublin lodging house, where a young British soldier is held captive by Irish nationalists as a bargaining tool to prevent the execution of an Irish prisoner in Belfast. The narrative unfolds in a chaotic and comedic manner, reflecting the absurdity of political conflicts and the human condition. Throughout the play, the interactions among the diverse group of characters, including the house residents and the hostage, reveal deeper themes of humanity, compassion, and the futility of violence, culminating in a tragic yet poignant climax that questions the true cost of ideological warfare.