"Lysistrata" is a comedic play set in ancient Greece, where the women of Athens, led by the eponymous character, decide to withhold sexual privileges from their husbands and lovers in order to force them to negotiate a peaceful end to the Peloponnesian War. Along with the women of Sparta, they seize the Acropolis and the treasury, and through their non-violent resistance, they manage to bring about a reconciliation between the warring states. The play is a humorous exploration of gender roles and the power of passive resistance.

This ancient Greek comedy play revolves around two men who are fed up with the problems of human society and decide to create a utopian city in the clouds with the help of birds. Their city, 'Cloudcuckooland', becomes popular and attracts gods and humans alike, leading to a series of humorous and satirical events. The play is a satire on political and social life in Athens, poking fun at its democracy, bureaucracy, and warfare.

"The Clouds" is a satirical play that critiques the intellectual and moral corruption of Athenian society by focusing on a father-son relationship. The father, in an effort to evade debt, sends his son to a school of sophistry to learn the art of manipulating language and logic to win arguments. The story explores themes of education, morality, and the conflict between traditional and modern values. The play is well-known for its critical portrayal of Socrates as a sophist and its comedic elements.

"The Knights" is a satirical comedy that delves into the political landscape of ancient Athens, critiquing the city's leadership through the allegory of a household. The play focuses on the conflict between a noble but dimwitted horseman and a cunning and manipulative sausage-seller, both vying for the favor of their master, who represents the Athenian people. The sausage-seller, with the help of the chorus of knights, ultimately triumphs, symbolizing the hope for a new and better leader. The work is a pointed commentary on the demagoguery and corruption of the time, using humor and absurdity to explore themes of power, populism, and the responsibilities of citizenship.

"Elegies and Satires" is a poignant collection that delves into the depths of existential despair, disillusionment, and the search for meaning in a modernizing world. The work is a reflection of the author's own struggles with depression and his critical view of societal norms and the alienation of the individual. Through elegiac poetry and sharp satirical pieces, the collection explores themes of loneliness, existential angst, and the absurdity of life, all conveyed with intense emotional depth and lyrical beauty. This literary work stands as a significant contribution to early 20th-century literature, offering a raw and introspective look at the human condition.

In this ancient Greek comedy, the women of Athens, fed up with the mismanagement and corruption of male politicians, disguise themselves as men to take over the city's assembly. Once in power, they institute a series of radical reforms, including the communal sharing of wealth and property, and the requirement that the most attractive men must sleep with the ugliest women first to ensure fairness in love. The play satirizes gender roles, political life in Athens, and the utopian solutions to societal problems, all while delivering a humorous yet pointed critique of the effectiveness of democratic governance and the nature of power.

"The Wasps" is a classical Greek comedy that satirizes the Athenian legal system and the citizenry's obsession with litigation. The play revolves around an elderly man, Philocleon, who is addicted to serving on juries and the comical lengths to which his son, Bdelycleon, goes to cure him of this addiction. The son eventually manages to keep his father at home by staging a mock trial of household pets, highlighting the absurdity of the legal proceedings. Through sharp wit and humor, the play critiques the flaws of democracy and the frivolity of the Athenian courts, while also exploring themes of generational conflict and the nature of justice.

"The Frogs" is a classic comedic play that delves into the world of Greek mythology and literature. The story follows the god Dionysus as he descends into the underworld with his slave Xanthias. Dionysus seeks to bring back the recently deceased tragedian Euripides to save the city from its cultural decline. However, upon arrival, he finds himself amidst a heated debate between Euripides and Aeschylus, another deceased playwright, over who is the greatest tragedian. A competition ensues, judged by Hades, leading to a series of humorous critiques of their plays and styles. The play is a satirical examination of Athenian society and the role of art and culture, filled with witty dialogue and commentary on the nature of theater.

The novel follows the life of a Toronto doctor who uses his knowledge of medicine and his understanding of human nature to treat his patients. He believes in the healing power of the human spirit and often uses unconventional methods to treat his patients. The narrative is filled with his interesting patients and their stories, as well as his own personal journey. The book also explores themes of spirituality, love, and the complexities of human nature.

This novel is a sprawling epic that traces the multi-generational saga of the Gursky family, rumored to have been inspired by the real-life Bronfman dynasty, Canadian liquor magnates. At its core, it follows the enigmatic figure of Solomon Gursky, whose life is shrouded in myth and mystery, from his forebears' escape from Jewish persecution in Europe to his own adventures in the Arctic, and the eventual establishment of a powerful business empire in North America. Through the eyes of Moses Berger, a writer obsessed with uncovering the truth about Solomon, the narrative delves into themes of identity, legacy, and the complexities of the human condition, all set against the backdrop of Canada's development and cultural history.

The novel revolves around a Canadian filmmaker living in London, grappling with a midlife crisis, a complex web of familial relationships, and the burden of his cultural identity. As he navigates through personal and professional challenges, he is haunted by the figure of the "Horseman," a symbol of moral judgment and a reminder of his own shortcomings. The protagonist's journey is interwoven with flashbacks to his childhood in Montreal, where the influence of his larger-than-life cousin and the vibrant Jewish community of St. Urbain Street shape his worldview. The narrative explores themes of guilt, the search for redemption, and the struggle to reconcile one's ambitions with the expectations of society and family.

"Satires" is a collection of witty and critical dialogues and essays that lampoon the pretensions and follies of the author's contemporary society. Using sharp humor and irony, the work targets various subjects, including philosophers, poets, historians, and orators, exposing their hypocrisy and vanity. The author employs a range of fictional scenarios, fantastical journeys, and dialogues with gods and historical figures to satirize the intellectual and social conventions of the day, challenging the reader to question the nature of truth, the value of tradition, and the role of intellectuals in society. Through its engaging and often humorous critiques, the book invites reflection on human behavior and the pursuit of knowledge.

The book is a memoir that blends fact with fiction, offering a comedic and surreal account of the life of a well-known comedian and former "Saturday Night Live" cast member. It delves into his upbringing in Canada, his rise to fame, and his experiences in the world of comedy, all while playing fast and loose with the truth. The narrative is filled with the author's trademark wit and deadpan humor, as he recounts stories of gambling, the pitfalls of celebrity, and his own unique perspective on life, often questioning the nature of storytelling and the reliability of memory itself.