"Sense and Sensibilia" is a philosophical work that critiques the foundations of early 20th-century empiricism and the assumptions underlying the theory of perception. The book challenges the views of philosophers who posit that our perceptions of the external world are mediated by 'sense-data,' a set of mental images or constructs that represent real objects. Through a series of detailed arguments and the examination of linguistic usage, the author argues that many philosophical problems arise from misunderstandings about the functions of language and from misusing philosophical and everyday terms. The work advocates for a more ordinary language philosophy approach, emphasizing careful analysis of language to clarify philosophical questions and dissolve problems rather than solving them in the traditional sense.

An intimate, epistolary portrait of a sensitive young artist who falls desperately in love with a woman promised to another man; his letters chronicle the swelling intensity of his passion, mounting alienation from society, and the collapse of hope into profound despair, culminating in tragic self-destruction. The work probes the dangers of unchecked sentiment and romantic idealism, the conflict between individual feeling and social constraints, and the contagious nature of melancholy among the young.