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"Soundmaking" as a book category centers on the creation, manipulation, and cultural meaning of sound—bridging practical how‑to guides (instrument building, field recording, synthesis, mixing, live performance techniques) with theory and criticism (sound studies, listening practices, histories of noise and music, sonic identities). It includes technical manuals for producers and engineers, artist-led sketchbooks and project collections, ethnographic and philosophical explorations of listening, and creative experiments in found‑sound and electroacoustic composition. Readers can expect hands‑on instruction, conceptual frameworks for thinking about sound as material, profiles of makers and scenes, and projects that invite active participation; audiences range from musicians, sound designers, and engineers to artists, architects, cultural scholars, and curious listeners interested in how sound is made, shaped, and experienced.

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