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Soundwalking is a literary category centered on the practice and experience of listening while moving through environments—urban streets, wilderness trails, industrial sites, or everyday neighborhoods—and attending to the soundscapes that shape memory, identity, and place. Books in this genre range from practical guides and field journals to essays, creative nonfiction, memoir, and hybrid experimental works that combine ethnography, acoustic ecology, history, mapmaking, and sound art. They explore how environments are made audible and meaningful, document or transcribe field recordings, offer methods for attentive listening, and consider the political, ecological, and aesthetic implications of what we hear (and what we don’t). Rooted in both contemplative practice and critical inquiry, soundwalking books invite readers to become more conscious listeners and to rethink relationships between bodies, communities, and the sonic environments they inhabit.

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