"On Growth and Form" is a landmark work that explores the science of biology from a mathematical perspective, emphasizing the patterns and geometry found in living organisms. The book discusses how physical and mathematical laws influence the way that organisms grow and develop, and how different species exhibit similar patterns of growth. It also touches on how these principles apply to the structure of the universe and the patterns found in nature. This work is considered a foundational text in the field of mathematical biology.

This groundbreaking work introduces the theory of generative grammar, revolutionizing the study of linguistics by arguing that the structure of language is innate to the human mind rather than learned through social interaction. The book presents a new approach to the study of language, suggesting that linguistic structures are not simply mirrors of social realities but are governed by universal rules and principles. It also introduces the concept of transformational-generative grammar, a framework for describing the syntactic structures of language.

This book is a comprehensive collection of essays by a renowned psychoanalyst, offering readers an in-depth understanding of his theories on human psychology. The author delves into complex topics such as the unconscious, the mirror stage, and the concept of the Other, while also exploring the intersection of psychoanalysis with philosophy, linguistics, and anthropology. The book challenges conventional understanding of subjectivity and identity, making it a seminal work in the field of psychoanalysis.

"The Literary Work of Art" is a philosophical exploration into the ontology of literature, examining how a literary work exists as a multilayered structure, comprising of sounds, meanings, and the phenomenological experiences they evoke. The book delves into the intricacies of how these layers interact to create a dynamic and immersive aesthetic object, which is both a creation of the author and an interpretation by the reader. Through a detailed analysis, the work discusses the role of ambiguity, intentionality, and the reader's involvement in actualizing a text, offering a comprehensive framework for understanding the complexity and richness of literary art.

"For a New Novel" is a collection of essays by a prominent French writer and filmmaker, where he challenges the traditional norms of narrative and character development in novels. The author argues for a new form of novel, one that focuses more on the objectivity of description and the presentation of things as they are, rather than on the psychological analysis of characters. He criticizes the conventional novel for its reliance on plot, causality, and character development, and instead proposes a novel that is more concerned with the surface of things, their materiality and their presence in space and time.

The book presents a comprehensive framework for understanding and analyzing literature through a systematic approach to literary criticism. It proposes four main modes of criticism—historical, ethical, archetypal, and rhetorical—each offering a different lens through which to interpret texts. By categorizing literature into various genres and modes, the work aims to uncover the underlying structures and patterns that shape all literary works, ultimately seeking to elevate literary criticism to the level of a science.

"Morphology of the Folktale" is a seminal work in the field of folklore studies that analyzes the structure of Russian folktales to identify their simplest irreducible narrative elements and their arrangement. The author introduces the concept of "functions" which are common plot devices used in folktales, and categorizes these functions into a consistent and repeatable framework. This structural approach to the study of tales reveals that despite the varied and complex surface of stories, their underlying structures follow a limited number of patterns. This methodology not only provides a tool for analyzing tales but also influences subsequent structuralist and narratological approaches in the broader field of cultural studies.

This book is a comprehensive study of the art of narrative, discussing various aspects of storytelling such as point of view, voice, and implied author. It provides an in-depth analysis of the techniques used by writers to engage readers, create believable characters, and convey their intended messages. The book also explores the relationship between the author, the narrator, and the reader, and how these interactions shape the overall narrative.

This book serves as an introduction to structural anthropology, a field that focuses on human societies and cultures as systems of meaning. The author explores various topics such as kinship, mythology, and art, using a structuralist approach to understand the underlying patterns and structures that govern human behavior and thought. By analyzing different cultures, the author demonstrates how seemingly disparate elements can be understood in relation to each other within a larger system, providing profound insights into the nature of human society and culture.

The book is a unique literary experiment that plays with linguistic constraints, where each chapter is constrained by the letters of the alphabet. The first chapter exclusively uses words beginning with the letter 'A', the second chapter incorporates words beginning with 'A' and 'B', and so on, adding one letter per chapter until the entire alphabet is used. Once at 'Z', the process reverses, subtracting one letter per chapter. This structure frames a narrative that spans the African continent, blending themes of love, violence, and geography, all while showcasing the author's fascination with language and its limitations.