A concise biography that follows her journey from childhood in New Zealand to her expatriate life in Europe, exploring the personal relationships, artistic struggles and tuberculosis that shaped her brief but influential career; it situates her modernist innovations in the short story—impressionistic detail, psychological insight and subtle social critique—within the context of her friendships, love affairs and public reception, and offers an assessment of her literary legacy and continuing influence on 20th-century fiction.

The book is a critical examination of the ways in which society uses metaphors to depict and understand illness, particularly focusing on tuberculosis and cancer. The author argues that the metaphors and myths surrounding certain diseases can often be harmful, adding a layer of stigma and moral judgment to the patient's experience. By analyzing historical and cultural attitudes, the book challenges the victim-blaming narratives and encourages a more empathetic and fact-based approach to understanding illness, advocating for the separation of the patient's identity from their disease.