"The Betrothed" is a historical novel set in Lombardy, Italy during the 17th century, in the midst of political and religious turmoil. The story follows the journey of two peasants, Renzo and Lucia, who are in love and wish to marry. However, their plans are thwarted by a corrupt local baron who desires Lucia for himself, and a cowardly priest who refuses to stand up to the baron. The couple are forced to flee, facing numerous hardships and adventures, while their faith and love for each other are continually tested. The novel explores themes of love, faith, and the struggle for justice.

The novel is about a Russian émigré, Timofey Pnin, who is a professor at an American college. Pnin struggles with the complexities of life, language, and American culture, while dealing with the traumas of his past in Russia. The book is a series of loosely connected episodes, filled with humor, pathos, and Pnin's endearing confusion. His struggles and triumphs in academia and his search for a home and identity form the crux of the story.

"Memories and Commentaries" is a reflective work that offers a window into the mind of one of the 20th century's most influential composers. Through a series of personal recollections and insights, the book delves into the author's artistic journey, his relationships with other prominent figures in the world of music and art, and his philosophical musings on the nature of creativity. The narrative weaves together anecdotes from the composer's life, discussions on his own compositions and musical techniques, as well as his opinions on the works of his contemporaries, providing readers with an intimate portrait of a man whose legacy continues to shape the landscape of classical music.

This autobiography provides a detailed account of the life of a prominent Russian revolutionary and Marxist theorist. The book traces his early life, education, and political development, his role in the Russian Revolution and Civil War, his leadership of the Red Army, and his expulsion from the Communist Party and subsequent exile. It offers a unique perspective on key events in 20th-century history and an insight into the author's complex personality and intellectual development.

"The Burn: A Novel in Three Books : (late Sixties--early Seventies)" is a historical novel that explores the cultural and political landscape of the Soviet Union during the late 1960s and early 1970s. The book follows a group of intellectuals, artists, and dissidents who are striving to preserve their individuality and freedom in a society that is increasingly oppressive and conformist. The narrative is punctuated by surreal and fantastical elements, reflecting the characters' struggle to maintain their sanity and dignity in a world that seems to be spiraling into madness.

The book presents a critique of modernity, advocating for a return to traditional values and spiritual hierarchies. It contrasts the materialism and secularism of contemporary society with the metaphysical and transcendent principles of ancient civilizations. The author argues that modernity has led to a decline in spiritual and cultural integrity, and calls for a revival of aristocratic and warrior values to restore a sense of order and meaning in the world. Through a synthesis of esoteric traditions and philosophical insights, the book seeks to inspire a revolt against the prevailing modern ethos.

This collection showcases the unique storytelling abilities of a renowned author, exploring a variety of themes and settings through 65 different tales. The stories range from brief, whimsical observations and elaborate fantasies to deeply emotional narratives and intellectual puzzles. The author's distinctive style, marked by rich imagery, intricate plots, and playful language, is evident throughout, making the collection a testament to his literary prowess and creativity.

"The Possessed" is a compelling narrative that combines memoir, criticism, and travel writing to explore the author's deep fascination with Russian literature. Through her experiences as a graduate student at Stanford, her travels to Turkey, Russia, and Uzbekistan, and her encounters with other scholars, the author delves into the works of great Russian authors such as Tolstoy, Dostoevsky, and Chekhov, while also reflecting on the nature of literature, identity, and the human condition.

This novel intertwines two parallel narratives, one set in the 13th century and one in the modern day. The contemporary story follows a discontented American housewife who, while working as a reader for a literary agency, comes across a novel about the 13th-century poet Rumi and his spiritual mentor, Shams of Tabriz. As she delves into their story, she uncovers Shams' forty rules of love and begins to question her own life and relationships. The historical narrative, on the other hand, explores the transformative friendship between Rumi and Shams, and how their bond revolutionized Rumi's poetry and outlook on life.

The book is a poignant monologue that tells the story of a gifted pianist born on a transatlantic liner in the early 20th century. Abandoned at birth, he is named after the year of his birth and grows up on the ship, never setting foot on land. His extraordinary talent for piano captivates everyone who hears him play, and his music becomes legendary among travelers and crew alike. The narrative, recounted by a fellow musician and friend, explores themes of belonging, the meaning of home, and the transcendent power of music to connect people across the boundaries of time and space.

"Absurdistan" is a satirical novel by Gary Shteyngart that follows the story of Misha Vainberg, a wealthy and overweight Russian-American who finds himself stuck in the fictional country of Absurdistan after his father's death. The country is on the brink of a civil war, and Misha must navigate his way through the corrupt and absurd political landscape to get back to America and reunite with his love interest. Along the way, he encounters a cast of eccentric characters and experiences the absurdity of life in a country where everything seems to be falling apart.

"In Confidence" is a memoir by a former Soviet ambassador that provides an insider's view of Cold War diplomacy from the perspective of the Soviet Union. The book offers detailed accounts of the ambassador's interactions with several U.S. administrations, revealing the complexities of U.S.-Soviet relations and the personal and political challenges of navigating this high-stakes diplomatic landscape. Through his unique vantage point, the author sheds light on major historical events and decisions, offering insights into the strategic thinking and interpersonal dynamics that shaped the Cold War era.

"Memoirs of Lorenzo Da Ponte" is an autobiographical account of the life of Lorenzo Da Ponte, an Italian poet and librettist best known for his collaboration with Mozart. The memoirs trace his colorful and tumultuous life from his early years in Venice, where he was ordained as a priest, through his banishment from Venice due to his scandalous activities, to his significant contributions to the world of opera in Vienna. The narrative also covers his later years in the United States, where he worked in various capacities, including as a grocer and a professor of Italian literature. Da Ponte's memoirs provide a vivid portrayal of the cultural and social dynamics of Europe and America in the late 18th and early 19th centuries, as well as intimate insights into his personal trials and the artistic milieu of his time.

"Black on White" is an engaging exploration of the history and significance of paper, tracing its development from ancient times to the modern era. The book delves into the various ways paper has been made and used across different cultures, highlighting its role in the advancement of literacy, art, and communication. Through a rich narrative, the reader gains an appreciation for paper's profound impact on society and its continuing relevance in a digital age, making it a compelling read for anyone interested in the intersections of history, technology, and culture.

"F Letter: New Russian Feminist Poetry" is a captivating collection of contemporary Russian feminist poetry that challenges societal norms and explores themes of gender, identity, and power. Through the powerful and thought-provoking verses of Galina Rymbu, Eugene Ostashevsky, and Ainsley Morse, this anthology sheds light on the experiences and perspectives of women in Russia, offering a unique and refreshing voice in the world of literature.