This book is a seminal work of art criticism that challenges traditional Western cultural aesthetics by examining the ways in which we culturally learn to view art, particularly the impact of modern mass-reproduction on our experience of seeing. The author argues that the context, or "gaze," through which we perceive art significantly affects its meaning and our appreciation of it. The book also explores the portrayal of women in art and society, the relationship between art and ownership, and the connection between historical context and visual perception. It is a provocative critique that encourages readers to reconsider the role of visual imagery in our everyday lives and the power structures inherent in the act of looking.

"Art and Illusion" is a comprehensive study of the psychology of pictorial representation. The book explores how artists from the Renaissance to the present day have used illusions to enhance their work, and how our brains interpret these illusions. It delves into the science behind our perception of reality and how it influences art, providing a unique perspective on the intersection between psychology, philosophy, and aesthetics. The book also discusses the concept of 'schema' and 'correction' in an artist's work, and how the artist's perception of the world is constantly evolving.

A theoretical meditation that reconceives images not as static representations but as living, circulating agents embedded in networks of perception, technology and power; it argues for an “ecology” that tracks how images attract and redistribute attention, interact with viewers and other images, mutate through technical and institutional media, and produce collective effects and political consequences, drawing on examples from art, cinema, advertising and archives to show how attending to an image’s agency and environment reshapes our understanding of aesthetics, mediation and public life.