The novel tells the story of Saleem Sinai, who was born at the exact moment when India gained its independence. As a result, he shares a mystical connection with other children born at the same time, all of whom possess unique, magical abilities. As Saleem grows up, his life mirrors the political and cultural changes happening in his country, from the partition of India and Pakistan, to the Bangladesh War of Independence. The story is a blend of historical fiction and magical realism, exploring themes of identity, fate, and the power of storytelling.

Set during the end of World War II, the novel follows Tyrone Slothrop, a lieutenant in the U.S. Army, as he tries to uncover the truth behind a mysterious device, the "Schwarzgerät", that the Germans are using in their V-2 rockets. The narrative is complex and multi-layered, filled with a vast array of characters and subplots, all connected by various themes such as paranoia, technology, and the destructive nature of war. The book is known for its encyclopedic nature and its challenging, postmodernist style.

The novel is a postmodernist narrative that follows the adventures of the reader, who is trying to read a book called "If on a Winter's Night a Traveller." However, the reader keeps encountering obstacles that prevent him from finishing the book, including printer's errors, censorship, and interruptions from other characters. The story is interspersed with the beginnings of ten different novels, each interrupted at a moment of suspense. The book is a meditation on reading, writing, and the nature of narrative itself.

The book follows the lives of two Jewish cousins, one a skilled escape artist and the other a talented artist, before, during, and after World War II. They create a popular comic book superhero, which brings them fame and fortune. However, their success is complicated by personal struggles, including the escape artist's attempts to rescue his family from Nazi-occupied Prague and the artist's struggle with his sexuality. The narrative explores themes of escapism, identity, and the golden age of comic books.

This novel is a complex, multi-layered narrative that explores themes of addiction, recovery, and the human condition in a near-future society. The story is set in a tennis academy and a halfway house for recovering addicts, and it intertwines the lives of its numerous characters, including a gifted but troubled teenage tennis prodigy, his filmmaker father, and a group of Quebecois separatists. The book is known for its length, intricate plot, and extensive use of footnotes.

"Money" is a darkly humorous novel that follows the life of John Self, a hedonistic, self-destructive director of commercials, as he navigates the excesses and depravities of 1980s New York and London. His life is filled with overindulgence in food, alcohol, drugs, and women, leading to a downward spiral of self-destruction. The novel is a satire on the excesses of capitalism and the obsession with wealth and materialism, and it also explores themes of identity, self-loathing, and the destructive power of addiction.

The novel is a satirical depiction of American society, with a particular focus on its materialism, business culture, and obsession with success. It tells the story of two men: Dwayne Hoover, a wealthy businessman who is gradually losing his sanity, and Kilgore Trout, a largely unsuccessful science fiction writer. Their lives intersect in a series of absurd, tragicomic events, leading to a climax that forces the reader to question the nature of free will and the meaning of life. The narrative is punctuated by the author's own illustrations and frequent digressions on a wide range of topics.

The novel follows two Indian actors who miraculously survive a plane explosion, and as a result, find themselves embodying good and evil. As they navigate their new identities, the story also delves into the life of a prophet and his creation of a new religion in a city of sand. The narrative is a blend of fantasy and reality, exploring themes of identity, religion, and the immigrant experience, while also providing a controversial interpretation of Islamic faith and the life of Prophet Muhammad.

This novel explores the friendship between a successful writer and his mentor, a once-celebrated poet now living in poverty and mental instability. As the protagonist navigates his own existential crisis amidst a life of material success, he reflects on the ideals of his mentor and the nature of art and personal ambition. The narrative grapples with themes of materialism, the purpose of art, and the spiritual emptiness of modern life.

The novel centers around a retired doctor's obsession with the life and works of Gustave Flaubert, a 19th-century French writer. The doctor's fascination leads him on a quest to find a stuffed parrot that once belonged to the writer. The novel is a blend of biography, literary criticism, and personal memoir, and it explores themes such as the nature of art and the difficulties of interpreting the past.

This novel is a blend of fiction, autobiography, and philosophical musings that explores the nature of forgetting, the power of laughter, and the struggle for personal and political freedom. Set against the backdrop of the political turmoil in Czechoslovakia in the 20th century, it follows the interconnected stories of various characters, including a man who is expelled from the Communist Party, a young woman in love with a man whose father was a political prisoner, and a couple who flee to America. Throughout, the book delves into the ways in which personal and collective memories shape identity and history.

The novel is a darkly comic, murder mystery set in London at the end of the 20th century. The story follows three main characters: a terminally ill American writer, a petty criminal, and a beautiful but doomed woman who predicts her own murder but not the murderer. The narrative is filled with satirical social commentary, exploring themes of love, lust, greed, and deception.

"Correction" is a complex narrative revolving around the life of a man named Roithamer, a genius obsessed with constructing an architectural masterpiece, the Cone, in the center of the Kobernausser forest. The story is told through the perspective of his friend who is reading Roithamer's notes after his suicide. The novel explores themes of obsession, isolation, and the pursuit of perfection, while also delving into the protagonist's troubled relationships with his family and society.

"Blood and Guts in High School" is a postmodern feminist novel that follows the life of a young girl named Janey Smith, who embarks on a journey of self-discovery after being sexually exploited by her father. The narrative, fragmented and nonlinear, explores themes of sexual liberation, identity, and rebellion against societal norms. The protagonist's experiences are depicted through various forms of writing such as dream sequences, drawings, and plagiarized texts, blurring the line between reality and fiction.

This novel follows the life of Moraes Zogoiby, the last in line of a once powerful and influential Indian family. Told from his perspective, Moraes recounts his family's history, starting with his grandparents and moving through to his own life. The narrative is filled with tales of love, betrayal, political unrest, and the supernatural. The protagonist's life is marked by a strange curse that causes him to age twice as fast as a normal human, adding a layer of urgency and tragedy to his story. The book explores themes of cultural identity, family legacy, and the passage of time.

The novel is a satirical critique of capitalism, narrating the story of an 11-year-old boy who builds a vast financial empire from his school's payphone. Using the adults around him as pawns, he manipulates the system to his own advantage, turning junk bonds into high profits. The narrative unfolds almost entirely through dialogue, making it a challenging but rewarding read. The book is a commentary on the American dream, exploring themes of greed, exploitation, and the dehumanizing effects of capitalism.

"Sixty Stories" is a collection of short narratives that use unconventional, experimental structures to explore a range of themes. The book is known for its absurdist and postmodern style, and the stories often feature elements of parody, surrealism, and satire. The tales cover a wide array of topics, including art, literature, philosophy, and the human condition, all presented with a unique blend of humor, wit, and intellectual depth.

"The Female Man" is a thought-provoking science fiction novel that explores the lives of four women from different dimensions and time periods. As they navigate their respective worlds, the women confront gender inequality, societal expectations, and the limitations imposed on them by a patriarchal society. Through their encounters and conversations, the novel challenges traditional gender roles and offers a powerful critique of sexism and discrimination.

The book is a darkly introspective narrative that delves into the mind of a reclusive, obsessive intellectual who is struggling to complete his scholarly work on the composer Mendelssohn. As he grapples with his own ailments and the perceived mediocrity of his surroundings, the protagonist's stream-of-consciousness monologue reveals his deep-seated anxieties, self-loathing, and profound isolation. The narrative is a relentless examination of the protagonist's psyche, showcasing his critical view of society and his own personal relationships, which are fraught with tension and dysfunction. Through this, the novel explores themes of artistic creation, intellectual elitism, and the suffocating nature of expectations and familial obligations.

Woodcutters is a darkly humorous critique of Vienna's artistic elite. The story takes place over the course of a single evening, as the narrator attends a dinner party in honor of a recently successful actor. As the evening progresses, he reflects on the pretentiousness and hypocrisy of the guests, the mediocrity of their artistic achievements, and the tragic suicide of his former lover. The novel is a scathing indictment of the vanity and self-delusion of the artistic community.

"World's End" is a multigenerational saga that takes place in upstate New York. The narrative alternates between the 17th century, where a Dutch estate is the setting for a brutal power struggle between a master and his rebellious servant, and the 1960s, where a young man struggles with his family's past and his own place in the world. The book explores themes of power, class, and the cyclical nature of history.

"Mason & Dixon" is a postmodern historical novel which follows the story of the 18th-century British astronomers and surveyors Charles Mason and Jeremiah Dixon, who are known for the Mason-Dixon line. The novel is written in a complex, digressive style, and it includes numerous sub-plots and a wide range of themes. It explores the scientific, philosophical, and sociopolitical issues of the Enlightenment era, as well as the personal lives and friendship of the two title characters.

The book is a surreal, postmodern narrative following a group of characters as they drag the physical manifestation of their dead father across a variety of landscapes. The characters grapple with their relationships to the father figure, exploring themes of authority, control, and the nature of storytelling itself. The novel is known for its experimental style, blending a range of literary techniques and genres to create a unique, fragmented narrative.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

The play is a comedic and intellectual romp through Zurich during World War I, where the lives of historical figures like the Dadaist Tristan Tzara, the novelist James Joyce, and the communist revolutionary Lenin intersect through the unreliable memories of British consular official Henry Carr. The narrative is a playful, non-linear exploration of art, politics, and the nature of memory, blending slapstick humor with sharp wit and literary allusions. The work challenges the audience to consider the role of the artist in society and the impact of political upheaval on cultural expression, all while questioning the reliability of history and the very nature of truth itself.