"The Man Without Qualities" is a satirical novel set in Vienna during the last days of the Austro-Hungarian Empire. It follows the life of Ulrich, a thirty-two-year-old mathematician, who is in search of a sense of life and reality but is caught up in the societal changes and political chaos of his time. The book explores themes of existentialism, morality, and the search for meaning in a rapidly changing world.

"The Sleepwalkers" is a trilogy that explores the psychological transformation and moral decay of German society between 1888 and 1918. The narrative follows three main characters: Joachim von Pasenow, a romantic military officer; August Esch, a pragmatic bookkeeper; and Claus von Pasenow, an intellectual and World War I soldier. The book uses these characters to depict the shift from a stable, traditional society to a modern, aimless one, examining the individual's struggle with societal change and the disintegration of values.

The book is a darkly introspective narrative that delves into the mind of a reclusive, obsessive intellectual who is struggling to complete his scholarly work on the composer Mendelssohn. As he grapples with his own ailments and the perceived mediocrity of his surroundings, the protagonist's stream-of-consciousness monologue reveals his deep-seated anxieties, self-loathing, and profound isolation. The narrative is a relentless examination of the protagonist's psyche, showcasing his critical view of society and his own personal relationships, which are fraught with tension and dysfunction. Through this, the novel explores themes of artistic creation, intellectual elitism, and the suffocating nature of expectations and familial obligations.

The book follows the life of Lisa Erdman, a half-Jewish opera singer, through her erotic fantasies, her analysis with Sigmund Freud, her subsequent life in pre-war Vienna, and her eventual death in a Nazi concentration camp. The narrative is presented in a variety of styles, including erotic poetry, Freud's case study, third-person narrative, and a surrealistic opera libretto. The novel explores themes of sexuality, psychoanalysis, and the human capacity for evil and destruction.

"The Loser" is a philosophical novel that revolves around the complex relationship between three friends who are all piano virtuosos. The narrative is driven by the protagonist's obsession with his friend's suicide, which he believes was triggered by the realization that they could never surpass the genius of their third friend. The book delves into the protagonist's psyche as he grapples with themes of talent, ambition, failure, and the destructive power of comparison.

This novel delves into the complex inner world of a female protagonist living in Vienna, who is torn between two contrasting loves: one with a passionate, consuming lover, Ivan, and the other with a figure named Malina, embodying stability and intellectual companionship. Set against a backdrop of post-war Austria, the narrative explores themes of identity, gender, and the trauma of history, all while blurring the lines between reality and the protagonist's psychological disintegration. The protagonist's struggle for self-definition and coherence in a fragmented world is central to the story, culminating in a haunting and ambiguous conclusion that challenges the boundaries of narrative and self.