The book is a darkly introspective narrative that delves into the mind of a reclusive, obsessive intellectual who is struggling to complete his scholarly work on the composer Mendelssohn. As he grapples with his own ailments and the perceived mediocrity of his surroundings, the protagonist's stream-of-consciousness monologue reveals his deep-seated anxieties, self-loathing, and profound isolation. The narrative is a relentless examination of the protagonist's psyche, showcasing his critical view of society and his own personal relationships, which are fraught with tension and dysfunction. Through this, the novel explores themes of artistic creation, intellectual elitism, and the suffocating nature of expectations and familial obligations.

Woodcutters is a darkly humorous critique of Vienna's artistic elite. The story takes place over the course of a single evening, as the narrator attends a dinner party in honor of a recently successful actor. As the evening progresses, he reflects on the pretentiousness and hypocrisy of the guests, the mediocrity of their artistic achievements, and the tragic suicide of his former lover. The novel is a scathing indictment of the vanity and self-delusion of the artistic community.

"Wittgenstein's Nephew" is a semi-autobiographical novel that explores the friendship between the narrator and his friend Paul, who is the nephew of the famous philosopher Ludwig Wittgenstein. The story takes place in Vienna and is set against the backdrop of the Austrian mental health system. The novel delves into themes of sanity, insanity, and the fine line that separates the two, while also offering a critique of Austrian society. It is a meditation on the nature of illness, both physical and mental, and the impact it has on personal relationships and one's perception of the world.

The book follows the life of Lisa Erdman, a half-Jewish opera singer, through her erotic fantasies, her analysis with Sigmund Freud, her subsequent life in pre-war Vienna, and her eventual death in a Nazi concentration camp. The narrative is presented in a variety of styles, including erotic poetry, Freud's case study, third-person narrative, and a surrealistic opera libretto. The novel explores themes of sexuality, psychoanalysis, and the human capacity for evil and destruction.

"The Loser" is a philosophical novel that revolves around the complex relationship between three friends who are all piano virtuosos. The narrative is driven by the protagonist's obsession with his friend's suicide, which he believes was triggered by the realization that they could never surpass the genius of their third friend. The book delves into the protagonist's psyche as he grapples with themes of talent, ambition, failure, and the destructive power of comparison.

"The World As I Found It" is an imaginative and intellectually engaging novel that explores the lives and minds of three towering figures in philosophy: Ludwig Wittgenstein, Bertrand Russell, and G.E. Moore. Through a blend of fact and fiction, the narrative delves into their personal and professional struggles, capturing their complex relationships, existential quests, and the profound impact they had on each other and on modern thought. The book offers a richly detailed and dramatic portrayal of the philosophical and human dimensions of these influential thinkers.

This novel delves into the complex inner world of a female protagonist living in Vienna, who is torn between two contrasting loves: one with a passionate, consuming lover, Ivan, and the other with a figure named Malina, embodying stability and intellectual companionship. Set against a backdrop of post-war Austria, the narrative explores themes of identity, gender, and the trauma of history, all while blurring the lines between reality and the protagonist's psychological disintegration. The protagonist's struggle for self-definition and coherence in a fragmented world is central to the story, culminating in a haunting and ambiguous conclusion that challenges the boundaries of narrative and self.