Arthur C. Danto

Arthur Coleman Danto was an American art critic, philosopher, and professor at Columbia University. He is best known for his work in aesthetics and philosophy of art, particularly his theory of the 'end of art' and his influential writings on contemporary art.

This list of books are ONLY the books that have been ranked on the lists that are aggregated on this site. This is not a comprehensive list of all books by this author.

  1. 1. What Art Is

    The Meaning of Art

    This book explores the philosophy and definition of art, challenging traditional views and proposing a new framework for understanding what art truly is. The author argues that art is not defined by its aesthetic qualities or by the intentions of the artist, but rather by the context and the role of theories and interpretations in shaping our perception of what art is. Through a series of engaging discussions and analyses of historical and contemporary artworks, the book invites readers to reconsider their assumptions about art and its value, suggesting that art's essence lies in its ability to embody meanings and ideas that transcend its physical form.

    The 12011th Greatest Book of All Time
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  2. 2. Beyond The Brillo Box

    The Visual Arts in Post-Historical Perspective

    The book explores the transformation of art in the modern era, examining how contemporary works challenge traditional notions of aesthetics and meaning. Through a series of essays, it delves into the philosophical implications of art's evolution, particularly in the context of postmodernism, and how this shift reflects broader cultural changes. The author uses iconic examples, such as Andy Warhol's Brillo Boxes, to illustrate how art has transcended its conventional boundaries, prompting a reevaluation of what constitutes art and its role in society.

    The 14180th Greatest Book of All Time
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  3. 3. After The End Of Art

    Contemporary Art and the Pale of History

    In this thought-provoking exploration, the author delves into the philosophical implications of art's evolution beyond traditional boundaries, arguing that the historical narrative of art has reached its conclusion. The book examines how contemporary art has transcended the constraints of style, medium, and historical progression, leading to a pluralistic era where anything can be considered art. Through a series of insightful essays, the author challenges readers to reconsider the role and definition of art in a post-historical context, where the focus shifts from aesthetic criteria to the ideas and concepts that art can convey.

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  4. 4. The Transfiguration Of The Commonplace

    A Philosophy of Art

    A philosophical investigation arguing that what turns ordinary objects into artworks is not their sensory properties but the meanings and interpretive frameworks that surround them; artworks are ordinary things ‘‘transfigured’’ by embodied meaning and the theories of the artworld, so recognizing and evaluating art requires philosophical reflection on interpretation, representation, and the limits of aesthetic perception.

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  5. 5. The State Of The Art

    A collection of philosophical essays that argues contemporary art must be understood through its ideas and institutional context rather than solely by formal qualities; it traces how modernist developments led to a post-historical condition in which anything can be made art through interpretation, examines conceptual and pop art and works that blur the line between art and ordinary objects, and defends a theory-informed approach to aesthetics and criticism.