Hermann Broch

Austrian modernist novelist and essayist, best known for the trilogy The Sleepwalkers (Die Schlafwandler) and the novel The Death of Virgil; noted for experimental narrative techniques and cultural criticism.

This list of books are ONLY the books that have been ranked on the lists that are aggregated on this site. This is not a comprehensive list of all books by this author.

  1. 1. James Joyce Und Die Gegenwart

    A compact critical study that analyzes the work of a leading modernist novelist and situates his narrative experiments—stream-of-consciousness, polyglot language, mythic structuring and parody—within the broader intellectual and moral crisis of contemporary culture. It reads his major texts as aesthetic attempts to reconceive language and consciousness, arguing that formal innovation serves both epistemological and ethical ends: to represent fragmented experience, restore communal myths, and renew human understanding. The book defends the writer’s methods against conservative misreadings, explores the role of symbol and ritual, and presents his fiction as a prophetic cultural response that reshapes perception and responsibility in the modern age.

  2. 3. Esch O La Anarquía

    The narrative follows a restless young lower-middle-class man in early 20th-century Central Europe as he drifts from conventional aspirations into political agitation and personal disintegration; through his failed relationships, shifting loyalties, and growing moral confusion, the story examines how long-standing social certainties unravel. Combining close psychological observation with philosophical digressions, the work probes the appeal and danger of radical ideas, the erosion of ethical norms, and the individual's struggle to find meaning amid rapid social change.

  3. 4. Pasenow Oder Die Romantik

    Die Romantik

    A focused psychological portrait of Pasenow, a disenchanted provincial civil servant who, repelled by bourgeois conformity, embraces Romantic ideals in an attempt to reclaim meaning and authenticity; his inward quest—marked by aesthetic longing, moral confusion and social alienation—reveals the tensions between idealism and mundane modern life and serves as a critique of both Romantic myth and the surrounding society.