Internationale Situationniste by Guy Debord

A collection of manifestos, polemics, and theoretical essays from the late 1950s to late 1960s that diagnose the society of the spectacle, critique capitalism’s colonization of everyday life, and dissect art, media, and urbanism. It advances practices like dérive and détournement to subvert dominant culture, blending searing critique with tactical proposals, and traces a trajectory from avant-garde cultural revolt to revolutionary politics, culminating in the ferment surrounding 1968.

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