Fluid Screens, Expanded Cinema by Janine Marchessault
This study explores how contemporary screens and expanded cinema have become fluid across architecture, urban space, bodies and devices, reshaping spectatorship, production and public life. Drawing on the history of avant-garde film, installation and performance, it analyzes multi-screen, immersive and interactive works and the practices of artists and curators to show how screens reconfigure space, temporality, memory and social relations. It also considers technological, political and ecological implications, urging critical attention to the materiality, labour and civic effects of diffuse, networked moving-image cultures.
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- English
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