Cinema Ii by Gilles Deleuze
The Time-Image
This philosophical exploration delves into the evolution of cinematic expression, focusing on the shift from movement-image to time-image in film. It examines how post-war cinema breaks away from traditional narrative structures, embracing a more fragmented and contemplative approach that reflects the complexities of modern life. Through a detailed analysis of various filmmakers and their works, the text highlights the emergence of new ways of perceiving time and reality, emphasizing the role of cinema as a medium that transcends mere storytelling to become a profound form of philosophical inquiry.
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- Published
- 1985
- Nationality
- French
- Length
- Moderate
- Pages
- 350-400
- Original Language
- French
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