Cinema I by Gilles Deleuze

The Movement-Image

This influential work delves into the philosophical underpinnings of cinema, exploring how films can be understood as a new form of thought and perception. It examines the evolution of cinematic techniques and their ability to capture movement and time, drawing on the ideas of Henri Bergson to analyze the relationship between images and reality. The book categorizes films into "movement-images," focusing on how they represent action, perception, and affection, offering a profound exploration of the medium's potential to express complex ideas and emotions.

Purchase from Bookshop.org