Art And Objecthood by Michael Fried
Essays and Reviews
This influential essay critiques the minimalist art movement of the 1960s, arguing that its emphasis on literalism and the physical presence of objects undermines the traditional values of modernist art. It posits that the theatricality inherent in minimalist works detracts from the viewer's experience, as it shifts focus from the artwork itself to the surrounding context and the viewer's interaction with it. The essay champions the importance of "presentness" and "absorption" in art, suggesting that true art should transcend its material form to engage the viewer in a more profound, contemplative experience.
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- Published
- 1998
- Nationality
- American
- Length
- Medium
- Pages
- 300-350
- Original Language
- English
- Avg User Rating
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(5.0)
- Alternate Titles
- None
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