"The Dwarf" is a dark, philosophical novel set in the Italian Renaissance, narrated by a malevolent court dwarf who serves a prince. The dwarf is a symbol for the darker side of humanity, embodying all the malice, deceit, and manipulation that one can possess. His actions and viewpoint provide a cynical commentary on human nature and the moral complexities of power, war, and love. The novel explores themes of good and evil, faith and doubt, and the destructive side of human nature.

The book tells the story of Hai Ebn Yokdhan, a self-taught man who grows up on a deserted island, isolated from human society. Through his observations of nature and innate curiosity, he embarks on a journey of intellectual and spiritual discovery. Without guidance from others, he uses reason and empirical evidence to unlock the mysteries of the natural world, the human soul, and the divine. His quest leads him to profound insights about the nature of existence, the pursuit of truth, and the path to enlightenment, demonstrating the power of human reason to transcend the need for external instruction in the quest for knowledge and understanding.

"ḥayy Ibn Yaqẓān" is a philosophical novel that tells the story of Hayy Ibn Yaqzan, a child who is spontaneously generated on a desert island and raised by a doe. Growing up in isolation from human society, Hayy discovers knowledge through his own observations of nature and through rigorous reasoning. As he matures, he delves into profound inquiries about the nature of the human soul, the existence of God, and the path to true enlightenment. Eventually, he encounters another human being, which leads to a deep exploration of the differences between a life guided by pure reason and one shaped by societal norms and religion. The narrative serves as a meditation on the limits of human understanding and the pursuit of spiritual truth.

"To Damascus" is a semi-autobiographical play that follows the spiritual journey of the protagonist, known as the Stranger, who embarks on a quest for meaning and redemption. Struggling with guilt, doubt, and a sense of existential despair, he encounters various symbolic characters, including the Confessor and the Lady, who represent different aspects of his psyche and philosophical challenges. The play delves into themes of faith, suffering, and the search for truth, as the Stranger's pilgrimage reflects the author's own introspective exploration of personal crisis and spiritual awakening. Set against the backdrop of turn-of-the-century Europe, the work is a complex blend of psychological drama and religious allegory, illustrating the profound inner conflicts and transformative experiences of its central figure.