Set during the Salem Witch Trials in the late 17th century, this play explores the hysteria, deceit, and religious extremism that plague a small Puritan village in Massachusetts. The protagonist, a flawed but essentially good man, is caught in a web of accusations when young girls in the town start displaying strange behavior and accusing others of witchcraft. The ensuing trials reveal not only the dangers of mass hysteria and false accusations, but also the destructive power of societal pressures and the human capacity for both cruelty and heroism.

"Teahouse" is a historical drama that explores 50 years of Chinese history (1898-1948) through the microcosm of a Beijing teahouse. The narrative follows the lives of the teahouse owner and his customers, reflecting the social changes, political turmoil, and cultural shifts of the time. The story provides a deep insight into the Chinese society, its traditions, and the impact of Western influence. It also highlights the struggle of the common people amidst corruption, oppression, and the collapse of traditional values.

"The Good Person of Szechwan" is a parable play that explores the difficulty of maintaining one's morals and goodness in a corrupt and exploitative world. The story revolves around a kind-hearted prostitute who struggles to be a good person under the harsh realities of life in Szechwan. When three gods visit the city in search of a good person, they find only her willing to help them. However, to survive, she must adopt a ruthless alter ego, leading to a complex exploration of morality, identity, and societal pressures.

"The Peony Pavilion" is a romantic tragicomedy play set during the Ming Dynasty, revolving around the love story between Du Liniang and Liu Mengmei. After falling in love with Liu in a dream, Du Liniang, the daughter of a high official, pines for him so deeply that she becomes ill and dies. Her spirit roams, seeking to be reunited with her lover. Liu, a young scholar, later discovers her portrait and falls in love with the image, leading to a series of supernatural events that eventually culminate in Du Liniang’s resurrection and the lovers' marriage. The play explores themes of love, destiny, and the metaphysical, challenging the social norms of the time.

In this dramatic play, an unconventional romance unfolds between a French diplomat and a mysterious Chinese opera singer. The diplomat becomes infatuated with the singer, who he believes to be a woman, only to have his perceptions of love, gender, and cultural identity challenged. As their affair deepens over two decades, the diplomat remains oblivious to the singer's true gender and the political espionage at play. The story, inspired by real events, ultimately explores themes of Orientalism, the fluidity of identity, and the devastating consequences of deception and self-delusion.

"The Other Shore" is a play that explores themes of identity, freedom, and human nature through a series of allegorical and surreal scenes. The narrative follows a group of characters who attempt to cross a river, symbolizing the transition from the oppressive constraints of their old lives to a new, unknown existence. As they confront various existential challenges and philosophical dilemmas, the characters grapple with their desires, fears, and the very essence of their beings, ultimately questioning the nature of reality and the possibility of true liberation. The play delves into the conflicts between individuality and collective identity, and the struggle for personal authenticity in the face of societal norms.