The New Carthaginians is a poetry collection that blends history, myth and memory through three linked figures—a poet, a Black Icarus and a resurrected Jean-Michel Basquiat—moving through an altered timeline. It meditates on flight and falling, art and identity, and uses collage-like lyric sequences to rework familiar symbols and imagine new myths that challenge the othering of Black life.

The book is a collection of essays and stories that delve into the social and political issues of early 20th-century Taiwan under Japanese colonial rule. Through a blend of personal anecdotes, sharp critiques, and poignant reflections, the author highlights the struggles of the Taiwanese people, their resistance to oppression, and their quest for identity and justice. The work serves as both a historical document and a call to action, urging readers to recognize and challenge the injustices of their time.

"Who Will Remember The People..." is a poignant narrative that delves into the history and demise of a fictional South American indigenous tribe. The book explores the themes of cultural extinction, colonialism, and the inevitable march of modernity as it tells the story of the last members of this tribe, their struggles to preserve their way of life, their memories, and their identity in the face of external pressures and internal decay. Through its evocative prose, the novel serves as a meditation on the loss of ancient traditions and the often-unseen human cost of progress.

Set in the 17th century, this historical novel explores the intersection of cultures and the quest for knowledge through the eyes of Bethia Mayfield, a spirited young woman living in the Puritan settlement of Great Harbor. Her life becomes intertwined with that of Caleb, a Wampanoag native who defies the odds to become the first Native American graduate of Harvard College. As their friendship deepens, Bethia navigates the constraints of her society, yearning for education and freedom, while Caleb grapples with the challenges of bridging two worlds. The narrative weaves themes of faith, identity, and resilience against the backdrop of colonial America.

Set against the backdrop of the opium trade in the early 19th century, this novel weaves together the lives of diverse characters as they navigate the bustling port city of Canton. The narrative follows a Parsi opium trader, a French botanist, and a Chinese painter, among others, as they grapple with personal ambitions, cultural clashes, and the looming threat of war. Through vivid descriptions and intricate storytelling, the book explores themes of colonialism, commerce, and the human spirit's resilience amidst the turbulent tides of history.

The book offers a vivid and insightful exploration of Africa, as experienced by a journalist over several decades. It delves into the continent's complex tapestry of cultures, politics, and histories, capturing the beauty and turmoil of its diverse nations. Through personal anecdotes and encounters, the narrative reveals the challenges faced by African societies, including colonial legacies, political upheavals, and social transformations. The author provides a deeply human perspective, emphasizing the resilience and spirit of the people he meets, while also reflecting on the broader implications of Africa's struggles and triumphs.

The book is a collection of vivid and enchanting stories set in North Africa, where the author, an Italian doctor, recounts his experiences and encounters with the diverse cultures and people of the region. Through a series of fascinating narratives, he explores themes of love, tradition, and the mystical allure of the desert landscape. The stories are rich with colorful characters and unexpected events, blending elements of folklore and reality, and offering a unique glimpse into the complexities and beauty of life in this part of the world.

Set against the lush and exotic backdrop of the South Pacific islands, this collection of stories delves into the complexities of human nature and the clash of cultures. Through vivid and evocative narratives, the tales explore themes of morality, desire, and the often harsh realities of life in a colonial setting. Characters are brought to life with rich detail, each grappling with their own inner conflicts and the societal expectations imposed upon them. The stories capture the tension between civilization and the untamed world, offering a poignant reflection on the human condition.

The novel explores the utopian society of Pala, an isolated island in the Pacific, where the inhabitants have created a harmonious blend of Western science and Eastern spirituality. Through the eyes of the protagonist, a cynical journalist named Will Farnaby, the story delves into themes of enlightenment, self-discovery, and the clash between modern civilization and traditional values. As Will becomes more immersed in the island's unique way of life, he grapples with his own inner conflicts and the external threats that jeopardize Pala's idyllic existence. The narrative ultimately serves as a profound meditation on the possibilities of human potential and the complexities of achieving a truly balanced society.

This novel tells the story of Kaspar Almayer, a Dutch trader struggling to survive in the Malaysian archipelago. Dreaming of wealth and a return to the comforts of European society, Almayer's ambitions are continually thwarted by his own inadequacies, the treachery of others, and the shifting political landscape. His relationship with his mixed-race daughter, Nina, becomes the emotional core of the story, highlighting themes of cultural identity, colonialism, and the clash between East and West. As Almayer's dreams crumble around him, the novel delves into his descent into despair, painting a poignant picture of a man caught between worlds, unable to belong fully to either.

"Heartland" is a novel that delves into the complexities of human consciousness and the interplay between reality and imagination. Set against a backdrop that blends elements of South American landscapes with mythological dimensions, the narrative follows a protagonist who embarks on a transformative journey. Throughout this journey, the character encounters various figures and experiences that challenge his perceptions of identity, time, and existence. The book is known for its dense, poetic prose and its exploration of themes such as colonialism, cultural heritage, and the nature of artistic creation, all of which contribute to its reputation as a challenging but rewarding read.

"The Coup" is a satirical novel that tells the story of Colonel Hakim Félix Ellelou, the ruler of a small, fictional, underdeveloped African nation. The narrative, delivered through Ellelou's first-person perspective, explores his anti-Western sentiments, his struggles with modernity and development, and his complex personal life, including his relationships with his four wives. The novel presents a critique of both Western imperialism and African dictatorships, using humor and wit to examine the complexities of global politics.

In this historical novel, a 16th-century French expedition to the Rio de Janeiro region attempts to found a utopian colony, bringing together idealists, soldiers and missionaries whose competing ambitions and beliefs collide with indigenous peoples and the encroaching Portuguese; the story traces the slow unraveling of their dream through religious disputes, cultural misunderstandings, betrayals and violence, painting a bleak but vivid portrait of colonial ambition and the human costs of idealism in an unfamiliar land.

Été 1985 à New York : des jeunes femmes sont assassinées chez elles, et une gondole en papier mâché est retrouvée à côté de chaque corps. L’inspecteur Karlov doit élucider comment le tueur parvient à pénétrer les foyers de ses victimes avant que la ville ne sombre dans la panique et que le meurtrier ne frappe à nouveau.

Un jeune Créole de La Réunion arrive à Paris pour étudier à la Sorbonne. Le récit suit ses efforts pour s’adapter à la vie parisienne, ses rencontres et les tensions culturelles et sociales qu’il affronte en tant qu’étudiant venu d’outre‑mer.

A sweeping, atmospheric novel set in the Malayan jungle that follows a European planter’s rise and personal struggles as he builds and defends a rubber estate; through vivid descriptions of landscape and daily life it probes the moral and emotional costs of colonial ambition, the tensions between settlers and local communities, and the ways heat, nature and isolation shape character, relationships and the slow unraveling of hopes and families.

Saga de l’Afrique moderne et légendaire centrée sur Tokor, un « général‑roi » à la fois charismatique et instable. Entre guerre, révolution et quête du sacré, le récit plonge dans un monde luxuriant de vie végétale et animale, où l’arrivée d’un jeune Écossais venu s’endurcir l’entraîne dans la mystique du roi.

Lucien Bonnard, jeune fils d’un consul, débarque en France avec sa mère, Anne Marie. Sur quelques mois il découvre la vie parisienne entre émerveillement et désillusions, confronté à la distance affective de sa mère qui cherche une existence mondaine et l’éloigne peu à peu.

Gabriel, the narrator, finds himself torn between two sisters, Ann and Clara, and wanders through a web of plots and subplots that explore love, choice, and the complexities of human relationships — told with wit and emotional insight, spoiler-free.

The book is a gripping fantasy novel centered around Baru Cormorant, a young woman from a colonized island who is thrust into the heart of the empire that conquered her home. With her family torn apart by the empire's influence, Baru becomes an agent within the imperial bureaucracy, driven by a deep-seated desire to dismantle the colonial system from within. As she climbs the ranks, she must navigate treacherous political waters, conceal her true intentions, and make devastating sacrifices. Her journey is one of strategic brilliance, emotional turmoil, and the complex interplay between power, identity, and resistance, as she becomes entangled in a web of rebellion and deceit, questioning the price of her own soul in the quest for justice.

A sweeping multigenerational saga set in Buganda that traces the aftermath of an ancestral act—treated as a curse—through successive descendants, weaving oral history, myth and hard political history as family members confront tradition, colonialism, Christianity, gendered violence, land disputes and personal betrayals; intimate stories of love, motherhood and survival are used to explore identity, memory and the heavy, often tragic burden of inherited legacies on both a family and a nation.

Set against the backdrop of the First Opium War, this historical novel intricately weaves the lives of diverse characters whose fates are intertwined by the tumultuous events of the 19th century. The narrative explores themes of colonialism, trade, and personal ambition as it follows a British soldier, an Indian sepoy, and a Parsi businessman navigating the shifting tides of power and fortune. As the conflict between Britain and China escalates, these individuals confront moral dilemmas and personal transformations, painting a vivid picture of a world on the brink of monumental change.

The book tells the story of a young Italian man who embarks on a journey to the South Pacific islands in search of his roots and a deeper understanding of his family's past. As he navigates the exotic and often challenging landscapes, he encounters a variety of characters and experiences that shape his perspective on life, identity, and heritage. Through his adventures, he discovers the rich cultural tapestry of the islands and the profound connections between his own history and the broader human experience.

"An Image of Africa" is a critical essay that explores the portrayal of Africa and Africans in Western literature, focusing particularly on Joseph Conrad's "Heart of Darkness." The author argues that Conrad, despite being celebrated as a paragon of modernist literature, presents Africa as an antithesis to Europe and civilization, and Africans as culturally and humanly inferior. This work challenges the implicit racism in treating Africa as merely a backdrop for the breakdown of Europeans, urging a reevaluation of how African people and their cultures are depicted in literature and beyond.