"Woman at Point Zero" is a powerful novel about a woman named Firdaus who, after a life filled with hardships and abuse, finds herself on death row in an Egyptian prison. The narrative explores her life story, from her childhood of poverty and genital mutilation to her experiences with domestic violence, prostitution, and finally murder. Through her journey, the book offers a profound critique of patriarchal society and the systemic oppression of women.

The novel is set in Cairo during World War I and revolves around the life of a conservative Muslim family. The patriarch, a shopkeeper, has two wives and several children, and the story explores the dynamics within the family, particularly the tyrannical father's relationships with his wives and children. As the family navigates through a changing society, they encounter various challenges including political unrest, societal norms, and the struggle between tradition and modernity.

"The Clay Machine-gun" is a surreal and complex novel that explores the nature of reality and illusion. The story is set in post-Soviet Russia and follows a protagonist who has multiple identities, including a poet in 19th-century Russia, a 20th-century psychiatric patient, and a 21st-century advertising executive. The narrative moves between these identities and realities, blurring the lines between them and creating a layered and philosophical exploration of Russian society, identity, and the human psyche.

"The Bedbug And Selected Poetry" is a collection of poems by Vladimir Mayakovsky, a prominent Russian poet of the early 20th century. The book features a mix of Mayakovsky's avant-garde and politically charged works, showcasing his unique style and themes of revolution, love, and the struggles of the working class. Through his powerful and dynamic verses, Mayakovsky offers readers a glimpse into the social and cultural landscape of his time, while leaving a lasting impact with his thought-provoking and emotive poetry.

"Christmas at the Ivanovs'" is a satirical play that delves into the absurdities of Soviet life during the early 20th century. The narrative unfolds during a Christmas celebration at the Ivanov family's home, where a series of bizarre and surreal events take place. The characters, including a detective, a poet, and various family members, engage in nonsensical dialogues and actions, reflecting the author's avant-garde approach to theater. The play critiques the disconnect between the state's ideological propaganda and the grim realities of everyday life, using dark humor and chaotic scenes to challenge the audience's perception of normalcy and rationality within a society under strict political control.

"The Zone" is a semi-autobiographical novel that follows the life of a writer who is confined to a Soviet labor camp. Through a series of vignettes, the protagonist reflects on his experiences in the camp, the absurdities of the Soviet system, and the struggles of maintaining his identity and integrity in the face of oppression. With dark humor and sharp observations, the book offers a poignant and satirical portrayal of life in the Soviet Union.

The book is a poignant exploration of the tension between progress and tradition, set in a small Siberian village that is doomed to be submerged by the construction of a hydroelectric dam. As the government mandates the relocation of the village's inhabitants, the narrative delves into the lives of the villagers who are grappling with the loss of their ancestral home and way of life. The story is a meditation on the cost of modernization, the deep connection between people and their land, and the inevitable passing of time that brings change, often at the expense of cultural heritage and personal identity. Through the villagers' resistance and sorrow, the novel examines themes of environmental impact, the clash of ideologies, and the resilience of the human spirit in the face of displacement.

The book is a seminal work in Yiddish literature and folklore, centering around the concept of a dybbuk—a malicious possessing spirit from Jewish mythology. The narrative follows the tragic tale of a young bride in a Polish shtetl who becomes possessed by the restless spirit of her dead lover, who had been wronged by his own father and her father's broken pledge. The possession leads to a dramatic exorcism and a series of events that explore themes of love, betrayal, and the clash between the mystical and the rational, as well as the boundaries of life and death. The story delves into the rich tapestry of Jewish mysticism, community, and tradition, reflecting the cultural and religious tensions of Eastern European Jews before the First World War.

The book is a stark portrayal of the struggles faced by a multi-generational family living in the cramped quarters of a Moscow apartment during the twilight years of the Soviet Union. The narrative is driven by the matriarch, a poet who is both resilient and weary, as she navigates the complexities of caring for her mentally unstable daughter and her neglected grandson. The story delves deep into themes of maternal sacrifice, poverty, and the relentless passage of time, painting a grim picture of domestic life and the burdens of womanhood in a society that is as unforgiving as it is oppressive.

"Sugar Street" is the final novel in a trilogy set in Cairo, Egypt, from the 1919 Egyptian Revolution through the end of World War II. It follows the lives of the al-Jawad family, focusing on the younger generation's political activism and romantic entanglements against the backdrop of a changing society. The book explores themes of modernization, colonialism, and the clash between tradition and progress.

"Palace of Desire" is a novel set in Cairo in the 1920s, continuing the saga of the Cairene patriarch Al-Sayyid Ahmad and his family. It explores the dynamics of the family, the father's authoritarian rule, the sons' rebelliousness, and the daughters' submissiveness. The book also delves into the themes of love, lust, power, and the struggle between tradition and modernity in Egyptian society. The narrative is a blend of social realism and psychological insight, offering a vivid portrait of a society in transition.

This collection brings together the most significant works of a master playwright whose stories unfold against the backdrop of Russian society at the turn of the 20th century. The plays are rich with complex characters, nuanced relationships, and social commentary, exploring themes of unrequited love, dreams versus reality, the passage of time, and the search for meaning in everyday life. The playwright's signature blend of tragedy and comedy, combined with a subtle use of symbolism and a focus on character development, has cemented these works as timeless explorations of human nature and the societal pressures that shape our lives.

"Zuleikha" is a captivating historical novel set in 1930s Soviet Union, following the life of Zuleikha, a Tatar woman who is forcefully taken from her home and exiled to Siberia. As she struggles to adapt to the harsh conditions of the remote village, Zuleikha finds solace in her resilience and the unexpected connections she forms with her fellow exiles. Through her journey of survival, love, and self-discovery, Zuleikha's story beautifully explores themes of identity, freedom, and the indomitable human spirit.

"The Suicide" is a darkly comedic play centered on a man who, overwhelmed by the absurdity and struggles of life under a repressive regime, contemplates ending his life. His intentions quickly become public, drawing the attention of various interest groups who seek to exploit his despair for their own ideological ends. Each group wants to make his death a statement for their cause, turning the man's personal crisis into a public spectacle. The play satirically explores themes of individual agency, societal pressures, and the manipulation of personal tragedies for political gain, ultimately questioning the value of life in a society that prioritizes propaganda and collective ideology over the individual.